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Nāroḍākinī (Sanskrit, (チベット語:Naro Khachö) 〔A Saint in Seattle: The Life of the Tibetan Mystic Dezhung Rinpoche by David P. Jackson (2004)〕) is a deity in Vajrayana Buddhism〔The World of Tibetan Buddhism: An Overview of Its Philosophy and Practice by Dalai Lama (1995) p.113〕 similar to Vajrayogini〔Vajrayogini: Her Visualizations, Rituals, and Forms (Studies in Indian and Tibetan Buddhism) by Elizabeth English (2002)〕〔Guide to Dakini Land: The Highest Yoga Tantra Practice of Buddha Vajrayogini by Kelsang Gyatso (1996)〕 (red, striding, bearing a vajra) who no longer appears in the active pantheon despite her importance in late Indian Buddhism. In the ''Sādhanamālā'', she is said to be a transformation or emanation of Vajrayogini.〔()〕 Nārodākinī is readily recognizable by her lunging posture and kapala. Her head is uptilted, poised to imbibe the blood that overflows her kapala, and her right hand brandishes a curved kartika. Nārodākinī's physical attributes are interpreted with reference to long-standing Buddhist principles as well as distinctively tantric concepts. For example, her freely flowing hair is, in the Indic setting, a mark of a yogic practitioner, especially one who cultivates tummo,〔The Encyclopedia of Tibetan Symbols and Motifs by Robert Beer (1999) p.23〕 whereas Buddhist exegetes interpret the unbound tresses as a sign that her mind, free from grasping, is a flowing stream of nonconceptuality.〔Buddhist Wisdom: The Diamond Sutra and The Heart Sutra by Edward Conze, John F. Thornton, Susan Varenne, and Judith Simmer-Brown (2001)〕〔Mahamudra: The Moonlight -- Quintessence of Mind and Meditation by Dakpo Tashi Namgyal, The Dalai Lama, and Lobsang P. Lhalungpa (2006) p.88〕〔Mind at Ease: Self-Liberation through Mahamudra Meditation by Traleg Kyabgon (2004) p.18〕〔Essence of Buddhism (Shambhala Dragon Editions) by Traleg Kyabgon (2001) p.146〕 Her crown of five skulls represents her transformation of the five aspects of selfhood into the five transcendental insights of a Buddha. Her garland of fifty severed heads symbolizes her purification of the fifty primary units of language and thought. Her bone ornaments represent five of the six perfections of a bodhisattva. Her body itself represents the sixth perfection, wisdom, which all female deities implicitly personify. Nārodākinī carries a mystical khaṭvāṅga〔The Encyclopedia of Tibetan Symbols and Motifs by Robert Beer (1999) p.110〕〔The Tibetan Book of the Dead (Mystical Classics of the World) by Robert Thurman and Huston Smith (1993) p.163〕), supported by her left arm or balanced across her left shoulder. The staff indicates that she is not celibate and has integrated〔Dancing in the Flames by Marion Woodman (1997) p.43〕 eroticism into her spiritual path, mastering the art of transmuting pleasure into transcendent bliss.〔Introduction to Tantra : The Transformation of Desire by Lama Yeshe, Jonathan Landaw, and Philip Glass (2001)〕 She manifested herself in an initiatory vision to the great Indian mahasiddha and teacher Naropa, (956-1040) who received teachings from her. She is patroness of the Sakya school and an acolyte of Vajravārāhī. She is a ''sarvabuddhaḍākinī'', having access to all the Buddhas and thus is more powerful. This form of Vajrayogini is the preeminent form of yogini in the Cakrasaṃvara and Vajravārāhī tantras.〔(Sarvabuddhadakini (Naro Dakini): The First Feminist )〕 ==See also== *Sitatapatra *Nairatmya *Saraswati *Queen Maya *Hariti *Yakshini *Prithvi *Simhamukha *Vajrayogini *Tara (Buddhism) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Narodakini」の詳細全文を読む スポンサード リンク
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