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Neo-minimalism
Neo-minimalism is an amorphous art movement of the late 20th and early 21st centuries. It has alternatively been called "neo-geometric" or "neo-geo" art. Other terms include: Neo-Conceptualism, Neo-Futurism, Neo-Op, Neo-Pop, New Abstraction, Poptometry, Post-Abstractionism, Simulationism, and Smart Art.〔John Albert Walker, ''Glossary of Art, Architecture, and Design Since 1945'', Third edition, New York, G. K. Hall, 1992; p. 443.〕
==Art==
The aspects of "postmodern art" that have been described as neo-minimalism (and related terms) involve a general "reevaluation of earlier art forms."〔Fred S. Kleiner and Christin J. Mamiya, ''Gardner's Art Through the Ages: The Western Perspective'', Twelfth edition, Thomson / Wadsworth, 2005; Vol. 2, p. 844.〕 As its various titles indicate, the movement draws on earlier mid-to-late-20th century developments in Minimalist art, Abstract Expressionism and its offshoots, plus Pop Art, Op Art, and other threads of artistic development.〔http://www.museumstuff.com/learn/topics/Neo-minimalism〕
Contemporary artists who have been linked to the term, or who have been included in shows employing it, include Peter Halley, Philip Taafe, Lorenzo Belenguer, Ashley Bickerton, Jerry Brown, David Burdeny, Catharine Burgess, Marjan Eggermont, Paul Kuhn, Eve Leader, Daniel Ong, Tanya Rusnak, Peter Schuyff, Laurel Smith, Christopher Willard and Tim Zuck. The steel sculptures of Richard Serra have been described as "austere neo-Minimalism...."〔Casey Nelson Blake, "An Atmosphere of Effrontery," in: ''The Power of Culture: Critical Essays in American History'', Richard Wightman Fox and T. J. Jackson Lears, eds., Chicago, University of Chicago Press, 1993; p. 259 n. 17.〕
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