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Nizami Ganjavi : ウィキペディア英語版 | Nizami Ganjavi
Nizami Ganjavi ((ペルシア語:نظامی گنجوی, ''Nezāmi-ye Ganjavi''); (クルド語:Nîzamî Gencewî); (アゼルバイジャン語:Nizami Gəncəvi)) (1141 to 1209) (6th Hejri century), Nizami Ganje'i,〔 Nizami, or Nezāmi, whose formal name was ''Jamal ad-Dīn Abū Muḥammad Ilyās ibn-Yūsuf ibn-Zakkī'',〔Mo'in, Muhammad(2006), "Tahlil-i Haft Paykar-i Nezami", Tehran.: p. 2: Some commentators have mentioned his name as “Ilyas the son of Yusuf the son of Zakki the son of Mua’yyad” while others have mentioned that Mu’ayyad is a title for Zakki. Mohammad Moin, rejects the first interpretation claiming that if it were to mean 'Zakki son of Muayyad' it should have been read as 'Zakki i Muayyad' where izafe (-i-) shows the son-parent relationship but here it is 'Zakki Muayyad' and Zakki ends in silence/stop and there is no izafe (-i-). Some may argue that izafe is dropped due to meter constraints but dropping parenthood izafe is very strange and rare. So it is possible that Muayyad was a sobriquet for Zaki or part of his name (like Muayyad al-Din Zaki). This is supported by the fact that later biographers also state Yusuf was the son of Mu’ayyad〕 was a 12th-century Persian poet.〔〔〔Bernard Lewis, “Music of a distant drum”, Princeton University Press, 2001. Pg 9: “The Persians went a step further, creating authentic epic tradition comparables with those of Greece, Rome and the Vikings. This too, became in time, a form of Persian national self definition. The most famous of Persian epic poets, Firdawsi (940–1020) has been translated several times. An extract from the story of Farhad and Shirin, as told by the 12th century Persian poet Nizami, exmpelified another form of narrative”〕〔Julie Scott Meisami, Paul Starkeym, “Encyclopedia of Arabic Literature”, Taylor & Francis, 1998. Pg 69: “In Arabic literature there has been no artistic elaboration of the story comparable to that undertaken by the Persian poet Nizami“〕 Nezāmi is considered the greatest romantic epic poet in Persian literature,〔 who brought a colloquial and realistic style to the Persian epic.〔 excerpt: ''Greatest romantic epic poet in Persian Literature, who brought a colloquial and realistic style to the Persian epic.'' .... ''Nezami is admired in Persian-speaking lands for his originality and clarity of style, though his love of language for its own sake and of philosophical and scientific learning makes his work difficult for the average reader.''〕〔 His heritage is widely appreciated and shared by Afghanistan,〔 Azerbaijan,〔 Iran,〔 the Kurdistan region and Tajikistan.〔
==Life==
His personal name was Ilyas〔C. A. (Charles Ambrose) Storey and François de Blois (2004), "Persian Literature – A Biobibliographical Survey: Volume V Poetry of the Pre-Mongol Period.", RoutledgeCurzon; 2nd revised edition (June 21, 2004). ISBN 0-947593-47-0. p. 363: "Nizami Ganja’i, whose personal name was Ilyas, is the most celebrated native poet of the Persians after Firdausi. His nisbah designates him as a native of Ganja (Elizavetpol, Kirovabad) in Azerbaijan, then still a country with an Iranian population, and he spent the whole of his life in Transcaucasia; the verse in some of his poetic works which makes him a native of the hinterland of Qom is a spurious interpolation." 〕 and his chosen pen-name was Nezami (also spelled as Nizami and Neẓāmi). He was born of an urban〔Jan Rypka (Rypka, Jan. ‘Poets and Prose Writers of the Late Saljuq and Mongol Periods’, in ''The Cambridge History of Iran'', Volume 5, The Saljuq and Mongol Periods, ed., Published January 1968. p. 578: As the scene of the greatest flowering of the panegyrical qasida, southern Caucasia occupies a prominent place in New Persian literary history. But this region also gave to the world Persia’s finest creator of romantic epics. Hakim Jamal al-din Abu Muhammad Ilyas b. Yusuf b. Zaki b. Mu’ayyad Nizami a native of Ganja in Azarbaijan, is an unrivaled master of thoughts and words, a poet whose freshness and vigor all the succeeding centuries have been unable to dull. Little is known of his life, the only source being his own works, which in many cases provided no reliable information. We can only deduce that he was born between 535 and 540 (1140–46) and that his background was urban. Modern Azarbaijan is exceedingly proud of its world famous son and insists that he was not just a native of the region, but that he came from its own Turkic stock. At all events his mother was of Iranian origin, the poet himself calling her Ra’isa and describing her as Kurdish.〕 background in Ganja (Great Seljuq〔 empire now present-day Azerbaijan) and is believed to have spent his whole life in South Caucasus. According to De Blois, Ganja was a city which at that time had predominantly an Iranian population.〔 The Armenian historian Kirakos Gandzaketsi (Ca. 1200–1271) mentions that: "This city was densely populated with Iranians and a small number of Christians".〔 Kirakos Gandzakets' Patmut'iwn Hayots' (of Gandzak, History of Armenia ), edited by K.A. Melik'-Ohanjanyan, (Erevan, 1961), p. 235: "Ays k'aghak's bazmambox lts'eal parsko'k', ayl sakaw ew k'ristone'iwk'..."〕 Because Nezami was not a court poet, he does not appear in the annals of the dynasties.〔 Tazkerehs, which are the compilations of literary memoirs that include maxims of the great poets along with biographical information and commentary of styles refer to him briefly.〔 Much of this material in these Tazkerehs are based on legends, anecdotes, and hearsays.〔 Consequently, few facts are known about Nezami's life,〔〔 the only source being his own work, which does not provide much information on his personal life.〔
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