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Noizemag
''NoiZe Magazine'' is a published guide to circuit parties, gay dance events, and festivals. For 12 of its 22 years,〔http://www.chicagopride.com/news/article.cfm/articleid/5426100〕 it was known under its original name ''Circuit Noize''.〔http://www.gaydata.com/db/noize.htm〕
Noize has been quoted and referenced in mainstream publications such as ''Out'',〔http://www.out.com/detail.asp?id=22864〕 ''The New York Times'',〔http://query.nytimes.com/gst/fullpage.html?res=9E02EEDB173DF933A05757C0A9629C8B63&sec=travel&spon=&pagewanted=2〕 ''Genre'', and the ''Chicago Tribune''. Original ''Circuit Noize'' articles have been used by various local AIDS and gay health organizations for education, safe sex, and harm reduction. In 1998, the documentary film ''Got 2b There'' by José Torrealba〔http://www.imdb.com/title/tt0208998/〕 featured ''Circuit Noize'' as an authority within the circuit community.
==History==
Started in late 1993 by Steve Kammon from Florida, the first issue was nothing more than a foldout flyer listing upcoming gay-themed benefit events occurring on what was becoming known as "the circuit". Kammon was witty and passionate about the parties he loved, and the general sense of community that they inspired in him. For the second issue, he partnered with friends Stephen Ceplenski and Gary Steinberg〔http://www.nytimes.com/2004/04/30/travel/escapes/30CIRC.html?pagewanted=2&ei=5070&en=bf06f5c74e041b8c&ex=1219896000〕—an L.A. couple also deeply involved in the circuit scene—who agreed to publish ''Circuit Noize'' as a magazine instead of a flyer, selling ads to the promoters of the parties listed in the calendar. The magazine has run quarterly ever since.
As ''Circuit Noize'' became a fixture in the circuit scene, Kammon listed the events and helped create the very idea of a "circuit" of gay benefit parties. He also gave a platform to friends in the circuit community to express themselves, exploring the issues facing the mostly gay audience that attended these events regularly. Kammon himself wrote regularly about things such as circuit spirituality and the complexities of drug use in the scene. In addition, Kammon ran regular features profiling the DJs, promoters, and personalities that made the circuit come alive. In 1998, Kammon turned to a friend from New York, Jeffery Taylor, who took up the duty of editing the submissions for clarity and grammar, as well as producing profile content.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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