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Opéra-ballet
''Opéra-ballet'' (French; plural: ''opéras-ballets'')〔Bartlet 1992, p. 683; Anthony 2001; Bellingham 2002; Warrack & West 1992.〕 was a popular genre of French Baroque lyric theatre,〔Anthony 2001.〕 combining elements of opera and ballet,〔Bartlet 1992, p. 683.〕 "that grew out of the ''ballets à entrées'' of the early seventeenth century".〔Pitou 1983, p. 278 "''Opéra-ballet''".〕 It differed from the more elevated ''tragédie en musique'' as practised by Jean-Baptiste Lully in several ways. It contained more dance music than the ''tragédie'', and the plots were not necessarily derived from classical mythology and allowed for the comic elements, which Lully had excluded from the ''tragédie en musique'' after ''Thésée'' (1675). The ''opéra-ballet'' consisted of a prologue followed by a number of self-contained acts (also known as ''entrées''), often loosely grouped around a single theme. The individual acts could also be performed independently, in which case they were known as ''actes de ballet''.
The first work in the genre is generally held to be André Campra's ''L'Europe galante'' ("Europe in Love") of 1697,〔Warrack & West, Ewan 1992, p. 520.〕 but ''Les Saisons''〔Composed by Pascal Collasse and by Louis Lully, possibly by also borrowing from the late (that is, Jean-Baptiste) Lully (Pitou 1983, pp. 308–309 "''Les Saisons''").〕 of 1695 is so typical of the genre that it is mentioned as the most distinctive prototype of this sort of composition,〔 although the latter has a mythological plot. Famous later examples are ''Les élémens'' (1721) by Destouches, ''Les Indes galantes'' (1735) and ''Les fêtes d'Hébé'' (1739) by Jean-Philippe Rameau.
==Notes==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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