| 翻訳と辞書 |
:''PENG! redirects here. For the Stereolab album, see Peng!''PENG!''''' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.==Publication history==Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENG'''s larger page dimensions, made it more readable for many critics, such as Mark Fossen:''(FOCUSED TOTALITY: PENG! )'' ''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Peng'''s standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''
:''PENG! redirects here. For the Stereolab album, see Peng!
''PENG!'' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.
==Publication history==
Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENGs larger page dimensions, made it more readable for many critics, such as Mark Fossen:〔''(FOCUSED TOTALITY: PENG! )''〕
''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Pengs standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「:''PENG! redirects here. For the Stereolab album, see Peng!'''''PENG!''''' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.==Publication history==Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENG'''s larger page dimensions, made it more readable for many critics, such as Mark Fossen:''(FOCUSED TOTALITY: PENG! )'' ''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Peng'''s standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''」の詳細全文を読む
'PENG!'' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.==Publication history==Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENG'''s larger page dimensions, made it more readable for many critics, such as Mark Fossen:''(FOCUSED TOTALITY: PENG! )'' ''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Peng'''s standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''
:''PENG! redirects here. For the Stereolab album, see Peng!
''PENG!'' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.
==Publication history==
Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENGs larger page dimensions, made it more readable for many critics, such as Mark Fossen:〔''(FOCUSED TOTALITY: PENG! )''〕
''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Pengs standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「:''PENG! redirects here. For the Stereolab album, see Peng!'''''PENG!''''' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.==Publication history==Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENG'''s larger page dimensions, made it more readable for many critics, such as Mark Fossen:''(FOCUSED TOTALITY: PENG! )'' ''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Peng'''s standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''」の詳細全文を読む
' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.==Publication history==Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENGs larger page dimensions, made it more readable for many critics, such as Mark Fossen:''(FOCUSED TOTALITY: PENG! )'' ''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Pengs standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''
:''PENG! redirects here. For the Stereolab album, see Peng!
''PENG!'' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.
==Publication history==
Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENGs larger page dimensions, made it more readable for many critics, such as Mark Fossen:〔''(FOCUSED TOTALITY: PENG! )''〕
''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Pengs standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「:''PENG! redirects here. For the Stereolab album, see Peng!'''''PENG!''''' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.==Publication history==Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENG'''s larger page dimensions, made it more readable for many critics, such as Mark Fossen:''(FOCUSED TOTALITY: PENG! )'' ''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Peng'''s standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''」の詳細全文を読む
'PENG!'' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.==Publication history==Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENG'''s larger page dimensions, made it more readable for many critics, such as Mark Fossen:''(FOCUSED TOTALITY: PENG! )'' ''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Peng'''s standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''">ウィキペディア（Wikipedia）』
■ウィキペディアで「:''PENG! redirects here. For the Stereolab album, see Peng!'''''PENG!''''' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.==Publication history==Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENG'''s larger page dimensions, made it more readable for many critics, such as Mark Fossen:''(FOCUSED TOTALITY: PENG! )'' ''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Peng'''s standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''」の詳細全文を読む
' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.==Publication history==Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENGs larger page dimensions, made it more readable for many critics, such as Mark Fossen:''(FOCUSED TOTALITY: PENG! )'' ''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Pengs standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''">ウィキペディア（Wikipedia）』
■ウィキペディアで「:''PENG! redirects here. For the Stereolab album, see Peng!'''''PENG!''''' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.==Publication history==Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENG'''s larger page dimensions, made it more readable for many critics, such as Mark Fossen:''(FOCUSED TOTALITY: PENG! )'' ''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Peng'''s standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''」の詳細全文を読む
'PENG!'' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.==Publication history==Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENG'''s larger page dimensions, made it more readable for many critics, such as Mark Fossen:''(FOCUSED TOTALITY: PENG! )'' ''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Peng'''s standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''">ウィキペディアで「:''PENG! redirects here. For the Stereolab album, see Peng!'''''PENG!''''' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.==Publication history==Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENG'''s larger page dimensions, made it more readable for many critics, such as Mark Fossen:''(FOCUSED TOTALITY: PENG! )'' ''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Peng'''s standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''」の詳細全文を読む
' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.==Publication history==Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENGs larger page dimensions, made it more readable for many critics, such as Mark Fossen:''(FOCUSED TOTALITY: PENG! )'' ''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Pengs standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''">ウィキペディアで「:''PENG! redirects here. For the Stereolab album, see Peng!''PENG!''''' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.==Publication history==Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENG'''s larger page dimensions, made it more readable for many critics, such as Mark Fossen:''(FOCUSED TOTALITY: PENG! )'' ''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Peng'''s standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''」の詳細全文を読む
'PENG!'' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.==Publication history==Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENG'''s larger page dimensions, made it more readable for many critics, such as Mark Fossen:''(FOCUSED TOTALITY: PENG! )'' ''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Peng'''s standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''」の詳細全文を読む
' is a one-shot 72 page sports action comic written and drawn by Corey Lewis, published in 2005 by Oni Press.==Publication history==Like much of Lewis's work, it abounds with subtextual martial arts and video game references. It is the follow-up to Lewis's breakthrough work, the first volume of the ''Sharknife'' series. Produced immediately after ''Sharknife'', ''PENG'' nevertheless displays a stylistic shift towards looser linework and more open page layout. This shift in style, combined with ''PENGs larger page dimensions, made it more readable for many critics, such as Mark Fossen:''(FOCUSED TOTALITY: PENG! )'' ''In'' () ''tankōbon format, Lewis's art seemed cramped and confusing. There was too much linework in each small panel, and his frequent use of double-page spreads was a problem when the middle of the spread was swallowed by the spine of the book. In ''Pengs standard comic format, his art has room to breathe, and the splash pages can be enjoyed in their full glory. ... It's like a rich chocolate torte, that doesn't need to be made any more dense. ''Peng'' is a joy, and a completely different take on a new visual language for comics...''」の詳細全文を読む
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