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Pann
''Pann'' ((タミル語:பண்)) is the melodic mode used by the Tamil people in their music since the ancient times. The ancient ''panns'' over centuries evolved first into a pentatonic scale and later into the seven note Carnatic Sargam. But from the earliest times, Tamil Music is heptatonic and known as Ezhisai (ஏழிசை).〔Adiyarkunallar's commentary to the ''Aychiyarkkuravai'', the seventh book of Cilappatikaram gives the number of Srutis and how they were allotted among Seven notes. 〕
==''Panns'' in literature==
There are several references to music and ''Panns'' in the ancient pre-Sangam and Sangam literature starting from the earliest known work Tholkappiyam (500 BCE). Among Sangam literature, ''Mathuraikkanci'' refers to women singing ''sevvazhi pann'' to invoke the mercy of God during childbirth. In ''Tolkappiyam'', the five landscapes of the Sangam literature had each an associated ''Pann'', each describing the mood of the song associated with that landscape. Among the numerous ''panns'' that find mention in the ancient Tamil literature are, ''Ambal Pann'', which is suitable to be played on the flute, ''sevvazhi pann'' on the ''Yazh'' (lute), ''Nottiram'' and ''Sevvazhi'' expressing pathos, the captivating ''Kurinji pann'' and the invigorating ''Murudappann''.
The Sangam landscape was classified into five regions to describe the mood of the poem and to describe the intangibles of human emotions. While describing life and romance, the poets employed the background of the natural landscape and used the ''pann'' specific to that landscape to provide the mood. The ''neithal'' (seaside) landscape, which is employed to convey the grief of separation of lovers had the associated ''sevvazhi pann'' expressing pathos. ''Malaipatukatam'' mentions Viraliyar singing ''Kurinjipann'' when offering worship to the deities of the mountainous regions. It also refers to Virali singing ''Marudappann'' before singing the eulogies of kings. Malaippadukadam also refers to the people trying to overcome their fatigue by singing ''Marudappann'' after working in the fields. There is a very interesting reference to Panns and birds/insects in ''Perumpanarruppatai''. It says that the beetles liked to listen to ''Kurinjipann'' played on Vilyazh thinking it to be the voice of its own kith and kin, while they hated to listen to ''Palaipann'' played on flute. There are also references to the Panar taking delight in mastering the ''Naivalam pann''.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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