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Panyembrama
Panyembrama is a secular Balinese dance form designed by I Wayan Berata and first performed in 1971. It includes movements from several sacral Balinese dances, which it was intended to replace for performance in front of tourists.
==History==
Traditional Balinese dances are sacral in nature, and thus unsuited for secular performances. That these dances were used for welcoming non-Balinese, and in non-sacral contexts, was a point of controversy in the late 1960s. A secular dance was needed, one which could be used outside of the temples, particularly for tourists, and thus maintain the sacredness of the original dances. Panyembrama was one of several dance forms, including oleg tamulilingan, which arose from this situation and was intended for non-Balinese (particularly Western) audiences.
I Wayan Beratha, a choreographer with the Karawitan Conservatory (Indonesian: Konservatori Karawitan) who was well-versed in traditional Balinese dance, was tasked by his organisation to create a new, secular dance. In order to create what would become panyembrama, Beratha combined the most beautiful moves of traditional dances such as legong, condong, and pendet. Ethnomusicologist Zachar Laskewicz writes that the continued inspiration of these dances allow similar texts to be interpreted from the panyembrama performance. This basis in traditional dance has also led to panyembrama being classified as a form of classical dance by the art critic A. M. Hermin Kusmayati.
Panyembrama was first performed in 1971, at the Pandan Festival. This dance form has been taught at Balinese dance schools, and been used at temples in religious ceremonies, as a sort of welcoming dance for the gods.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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