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The ''Passagenwerk'' or ''Arcades Project'' was an unfinished project of German literary critic Walter Benjamin, written between 1927 and 1940. An enormous collection of writings on the city life of Paris in the 19th century, it was especially concerned with Paris' iron-and-glass covered "arcades" (known in French as the ''Passages couverts de Paris''). Benjamin's ''Project'', which many scholars believe might have become one of the great texts of 20th-century cultural criticism, was never completed due to his death under uncertain circumstances on the French-Spanish border in 1940. The ''Arcades Project'' has been posthumously edited and published in many languages as a collection of unfinished reflections. ==Overview== Parisian arcades began to be constructed around the beginning of the nineteenth century and were sometimes destroyed as a result of Baron Haussmann's renovation of Paris during the Second French Empire (ca. 1850–1870). Benjamin linked them to the city's distinctive street life and saw them as providing one of the habitats of the Flâneur (i.e., strolling in a locale to experience it). Benjamin first mentioned the Arcades project in a 1927 letter to his friend Gershom Scholem, describing it as his attempt to use collage techniques in literature.〔Mark Lilla, "The Riddle of Walter Benjamin" in ''The New York Review of Books'', May 25, 1995〕 Initially, Benjamin saw the Arcades as a small article he would finish within a few weeks. However, Benjamin's vision of the Arcades project grew increasingly ambitious in scope until he perceived it as representing his most important creative accomplishment. On several occasions Benjamin altered his overall scheme of the ''Arcades Project'', due in part to the influence of Theodor Adorno, who gave Benjamin a stipend and who expected Benjamin to make the Arcades project more explicitly political and Marxist in its analysis.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Arcades Project」の詳細全文を読む スポンサード リンク
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