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:''"Percept", "perceptual", "perceptible" and "imperceptible" redirect here. For the Brian Blade album, see Perceptual (album). For the perceptibility of digital watermarks, see Digital watermarking#Perceptibility. For other uses, see Perception (disambiguation) and Percept (disambiguation).'' Perception (from the Latin ''perceptio, percipio'') is the organization, identification, and interpretation of sensory information in order to represent and understand the environment. All perception involves signals in the nervous system, which in turn result from physical or chemical stimulation of the sense organs.〔Goldstein (2009) pp. 5–7〕 For example, vision involves light striking the retina of the eye, smell is mediated by odor molecules, and hearing involves pressure waves. Perception is not the passive receipt of these signals, but is shaped by learning, memory, expectation, and attention.〔〔 Perception can be split into two processes Firstly processing sensory input which transforms these low-level information to higher-level information (e.g., extracts shapes for object recognition). Secondly processing which is connected with person's concept and expectations (knowledge), and selective mechanisms (attention) that influence perception. Perception depends on complex functions of the nervous system, but subjectively seems mostly effortless because this processing happens outside conscious awareness.〔 Since the rise of experimental psychology in the 19th Century, psychology's understanding of perception has progressed by combining a variety of techniques.〔Gregory, Richard. "Perception" in Gregory, Zangwill (1987) pp. 598–601.〕 Psychophysics quantitatively describes the relationships between the physical qualities of the sensory input and perception.〔Gustav Theodor Fechner. Elemente der Psychophysik. Leipzig 1860〕 Sensory neuroscience studies the brain mechanisms underlying perception. Perceptual systems can also be studied computationally, in terms of the information they process. Perceptual issues in philosophy include the extent to which sensory qualities such as sound, smell or color exist in objective reality rather than in the mind of the perceiver.〔 Although the senses were traditionally viewed as passive receptors, the study of illusions and ambiguous images has demonstrated that the brain's perceptual systems actively and pre-consciously attempt to make sense of their input.〔 There is still active debate about the extent to which perception is an active process of hypothesis testing, analogous to science, or whether realistic sensory information is rich enough to make this process unnecessary.〔 The perceptual systems of the brain enable individuals to see the world around them as stable, even though the sensory information is typically incomplete and rapidly varying. Human and animal brains are structured in a modular way, with different areas processing different kinds of sensory information. Some of these modules take the form of sensory maps, mapping some aspect of the world across part of the brain's surface. These different modules are interconnected and influence each other. For instance, taste is strongly influenced by smell.〔 ==Process and terminology == The process of perception begins with an object in the real world, termed the ''distal stimulus'' or ''distal object''.〔 By means of light, sound or another physical process, the object stimulates the body's sensory organs. These sensory organs transform the input energy into neural activity—a process called ''transduction''.〔〔 This raw pattern of neural activity is called the ''proximal stimulus''.〔 These neural signals are transmitted to the brain and processed.〔 The resulting mental re-creation of the distal stimulus is the ''percept''. Perception is sometimes described as the process of constructing mental representations of distal stimuli using the information available in proximal stimuli. An example would be a shoe. The shoe itself is the distal stimulus. When light from the shoe enters a person's eye and stimulates their retina, that stimulation is the proximal stimulus. The image of the shoe reconstructed by the brain of the person is the percept. Another example would be a telephone ringing. The ringing of the telephone is the distal stimulus. The sound stimulating a person's auditory receptors is the proximal stimulus, and the brain's interpretation of this as the ringing of a telephone is the percept. The different kinds of sensation such as warmth, sound, and taste are called "sensory modalities".〔Pomerantz, James R. (2003): "Perception: Overview". In: Lynn Nadel (Ed.), ''Encyclopedia of Cognitive Science'', Vol. 3, London: Nature Publishing Group, pp. 527–537〕 Psychologist Jerome Bruner has developed a model of perception. According to him people go through the following process to form opinions:〔Alan S. & Gary J. (2011). Perception, Attribution, and Judgment of Others. Organizational Behaviour: Understanding and Managing Life at Work Vol. 7〕 # When we encounter an unfamiliar target we are open to different informational cues and want to learn more about the target. # In the second step we try to collect more information about the target. Gradually, we encounter some familiar cues which help us categorize the target. # At this stage, the cues become less open and selective. We try to search for more cues that confirm the categorization of the target. We also actively ignore and even distort cues that violate our initial perceptions. Our perception becomes more selective and we finally paint a consistent picture of the target. According to Alan Saks and Gary Johns, there are three components to perception.〔 # The Perceiver, the person who becomes aware about something and comes to a final understanding. There are 3 factors that can influence his or her perceptions: experience, motivational state and finally emotional state. In different motivational or emotional states, the perceiver will react to or perceive something in different ways. Also in different situations he or she might employ a "perceptual defence" where they tend to "see what they want to see". # The Target. This is the person who is being perceived or judged. "Ambiguity or lack of information about a target leads to a greater need for interpretation and addition." # The Situation also greatly influences perceptions because different situations may call for additional information about the target. Stimuli are not necessarily translated into a percept and rarely does a single stimulus translate into a percept. An ambiguous stimulus may be translated into multiple percepts, experienced randomly, one at a time, in what is called "multistable perception". And the same stimuli, or absence of them, may result in different percepts depending on subject’s culture and previous experiences. Ambiguous figures demonstrate that a single stimulus can result in more than one percept; for example the Rubin vase which can be interpreted either as a vase or as two faces. The percept can bind sensations from multiple senses into a whole. A picture of a talking person on a television screen, for example, is bound to the sound of speech from speakers to form a percept of a talking person. "Percept" is also a term used by Leibniz,〔Leibniz' ''Monadology''〕 Bergson, Deleuze and Guattari〔Deleuze and Guattari's ''What is Philosophy?''〕 to define perception independent from perceivers. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「:''"Percept", "perceptual", "perceptible" and "imperceptible" redirect here. For the Brian Blade album, see Perceptual (album). For the perceptibility of digital watermarks, see Digital watermarking」の詳細全文を読む スポンサード リンク
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