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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Post-romanticism ： ウィキペディア英語版 Post-romanticism Post-romanticism or Postromanticism refers to a range of cultural endeavors and attitudes emerging in the late nineteenth and early twentieth centuries, after the period of Romanticism. Herman Melville and Thomas Carlyle are post-Romantic writers.〔Robert Milder, ''Exiled Royalties: Melville and the Life We Imagine'', New York: Oxford University Press US, 2006, p. 41. ISBN 0-19-514232-2〕 Flaubert's ''Madame Bovary'' is a post-Romantic novel.〔Stephen Heath, ''Gustave Flaubert, Madame Bovary'', Cambridge and New York: Cambridge University Press, 1992, p. 13. ISBN 0-521-31483-6.〕 The period of post-romanticism in poetry is defined as the late nineteenth century, and includes the poetry of Tennyson.〔Richard Bradford, ''A Linguistic History of English Poetry'', New York: Routledge, 1993, p. 134. ISBN 0-415-07057-0.〕 == Post-Romanticism in music == Post-romanticism in music referred to Romantic composers who would use forms that were found typically in the Classical and Baroque while still retaining aspects of the Romantic era. Among the most well known post-Romantic composers are Giacomo Puccini and Sergei Rachmaninov. Arthur Berger describes the mysticism of La Jeune France as post-Romanticism rather than neo-Romanticism.〔Virgil Thomson,. ''Virgil Thomson: A Reader: Selected Writings, 1924-1984'', edited by Richard Kostelanetz, New York: Routledge, 2002p. 268. ISBN 0-415-93795-7.〕 Hans Pfitzner also wrote post-Romantic works such as his opera ''Palestrina''. Quite unlike Late Romantic composers such as Richard Strauss and Alexander Scriabin, the composers of the Post-Romantic created music that would use either or both traditional form and harmony. Béla Bartók, for example, "in such Strauss-influenced works as ''Duke Bluebeard's Castle''," may be described as having still used "dissonance (intervals as fourths and sevenths' ) for purposes of post-Romantic expression, not simply () as an appeal to the primal art of sound"—unlike Arnold Schoenberg and Strauss himself, who both believed in "a mythology of historical progress in Western music".〔Daniel Albright,. ''Modernism and Music: An Anthology of Sources'', Chicago: University of Chicago Press, 2004pp. 243-44. ISBN 0-226-01267-0.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Post-romanticism」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.