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Ragmala
Ragmala or Ragamala (pronounced rāgmālā), literally means a 'garland of Ragas, or musical melodies'. "Mala" means "garland", while "Raga" is a "musical composition or mode", which has also given rise to the series of Ragamala paintings. This list differs according to the author and the music school it is based upon. Thus there exists a number of such lists in the music text books of India. Ragmala is also the title of a composition of twelve verses, running into sixty lines that names various ragas which appears in most copies of the Guru Granth Sahib after the compositions of Guru Arjun Dev entitled "Mundaavani" (The Royal Seal). In many of the older copies of the Guru Granth Sahib, Ragmala appears at the end after other compositions which added by various scribes but later deemed unauthorised by Sikh Panth (nation). ==Translation of ragmala composition in Sikh scriptures==
Each Raga has five wives, and eight sons, who emit distinctive notes. In the first place is Raag Bhairao. It is accompanied by the voices of its five Raaginis: First come Bhairavee, and Bilaavalee; then the songs of Punni-aakee and Bangalee; and then Asalaykhee. These are the five consorts of Bhairao. The sounds of Pancham, Harakh and Disaakh; the songs of Bangaalam, Madh and Maadhav. ||1|| Lalat and Bilaaval - each gives out its own melody. when these eight sons of Bhairao are sung by accomplished musicians. ||1|| In the second family is Maalakausak, who brings his five Raaginis: Gondakaree and Dayv Gandhaaree, the voices of Gandhaaree and Seehutee, and the fifth song of Dhanaasaree. This chain of Maalakausak brings along: Maaroo, Masta-ang and Mayvaaraa, Prabal, Chandakausak, Khau, Khat and Bauraanad singing. These are the eight sons of Maalakausak. ||1|| Then comes (Hindol ) with his five wives and eight sons; it rises in waves when the sweet-voiced chorus sings. ||1|| There come Taylangee and Darvakaree; Basantee and Sandoor follow; then Aheeree, the finest of women. These five wives come together. The sons: Surmaanand and Bhaaskar come, Chandrabinb and Mangalan follow. Sarasbaan and Binodaa then come, and the thrilling songs of Basant and Kamodaa. These are the eight sons I have listed. Then comes the turn of Deepak. ||1|| Kachhaylee, Patamanjaree and Todee are sung; Kaamodee and Goojaree accompany Deepak. ||1|| Kaalankaa, Kuntal and Raamaa, Kamalakusam and Champak are their names; Gauraa, Kaanaraa and Kalyaanaa; these are the eight sons of Deepak. ||1|| All join together and sing Siree Raag, which is accompanied by its five wives: Bairaaree and Karnaatee, the songs of Gawree and Aasaavaree; then follows Sindhavee. These are the five wives of Siree Raag. ||1|| Saaloo, Saarang, Saagaraa, Gond and Gambheer - the eight sons of Siree Raag include Gund, Kumb and Hameer. ||1|| In the sixth place, Maygh Raag is sung, with its five wives in accompaniment: Sorat'h, Gond, and the melody of Malaaree; then the harmonies of Aasaa are sung. And finally comes the high tone Soohau. These are the five with Maygh Raag. ||1|| Bairaadhar, Gajadhar, Kaydaaraa, Jabaleedhar, Nat and Jaladhaaraa. Then come the songs of Shankar and Shi-aamaa. These are the names of the sons of Maygh Raag. ||1|| So all together, they sing the six Raagas and the thirty Raaginis, and all the forty-eight sons of the Raagas. ||1||1||"
〔P. 1429-1430, www.SriGranth.org〕
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