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Rasgueado
Rasgueado (also called Rageo (spelled so or Rajeo), Rasgueo or Rasgeo in Andalusian dialect and flamenco jargon, or even occasionally Rasqueado) is a guitar finger strumming technique commonly associated with flamenco guitar music. It is also used in classical and other fingerstyle guitar picking techniques. The rasgueado is executed using the fingers of the strumming hand in rhythmically precise, and often rapid, strumming patterns. The important characteristic of this strumming style is the fingernail (outer) side of the finger tips (as opposed to their fleshy inner side) is also used, and in such case, in reverse of the way it is done when the fleshy side of the finger tips is used, namely downward (index, middle, ring and little finger) and upward (thumb).〔Chapman, Richard (2003). The New Complete Guitarist, Dorling Kindersley (revised edition), pp. 66-67. 〕 ==History==
Although originating in the classical tradition, the technique is most often associated with flamenco guitar. Andrés Segovia tried to remove the use of rasgueado from the classical school, considering it to have been developed "in the noisy hands of the gypsies". Its use in classical music is limited today, but examples of pieces employing rasgueado are Manuel de Falla's "The Miller's Dance" and "Asturias Preludio (Leyenda)" by Isaac Albéniz. It is also heard in the Rodrigo Concierto de Aranjuez. Modern applications of the rasgueado technique can be seen in Luciano Berio's "Sequenza XI", Tristan Murail's solo guitar piece Tellur and Lachenmann's ''Salut fur Caudwell''.
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