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Rayonnant
In French Gothic architecture, Rayonnant ((:ʁɛjɔnɑ̃)) was the period between c. 1240 and 1350, characterized by a shift in focus away from the High Gothic mode of utilizing great scale and spatial rationalism (such as with buildings like Chartres Cathedral or the nave of Amiens Cathedral) towards a greater concern for two dimensional surfaces and the repetition of decorative motifs at different scales. After the mid-14th century, Rayonnant gradually evolved into the Late Gothic, Flamboyant style, though as usual with such arbitrary stylistic labels, the point of transition is not clearly defined.
==Terminology==
The name ''Rayonnant'' derives from the attempts of 19th-century French art historians (notably Henri Focillon and Ferdinand de Lasteyrie) to classify Gothic styles on the basis of window tracery. Although such efforts are now regarded as mistaken, the resulting terms have to some extent survived (Rayonnant and Flamboyant are still widely used by art historians, though the misleading old term ''Lancet Gothic'' has generally given way to ''High Gothic''). On this basis, Focillon and his colleagues adopted the term ''Rayonnant'' (from the French word meaning "radiating") specifically to describe the radiating spokes of the rose windows which flourished during this period. (Some sources incorrectly derive the term from the radiating chapels spreading from the apse, however these were not specifically associated with this period and had been a standard feature of Continental architecture since the 11th century on Romanesque buildings like Cluny Abbey and the Cathedral of Santiago de Compostela)
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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