翻訳と辞書
Words near each other
・ Samowo
・ Samoyed
・ Samoyed (dog)
・ Samoyed hereditary glomerulopathy
・ Samoyedic
・ Samoyedic languages
・ Samoyedic peoples
・ Samoyeds
・ Samoylov
・ Samoylovich Nunatak
・ Samoylovka
・ Samoylovsky
・ Samoylovsky (rural locality)
・ Samoylovsky District
・ Samoé
Samoëla
・ Samoëns
・ Samołęż
・ Samoš
・ Samp
・ Samp (disambiguation)
・ Samp1
・ Sampa
・ Sampa, Burkina Faso
・ Sampa, Ghana
・ Sampada Gramin Mahila Sanstha
・ Sampada Malla
・ Sampagaon, Belgaum
・ Sampagitang Walang Bango
・ Sampagodu Vighnaraja


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Samoëla : ウィキペディア英語版
Samoëla

Samoëla Rasolofoniaina, better known as Samoëla, is a Malagasy vocalist and composer of contemporary folk fusion and roots music that draws upon musical traditions throughout the island of Madagascar. He typically sings and plays acoustic guitar, accompanied by an ensemble including bass guitar, Western and traditional percussion, and backup singers. He is distinguished by his use of ''hainteny'' traditional poetry and its metaphorical language, as well as youth slang and culturally subversive direct language to critique and address sensitive social and political topics.
==Early life==
Samoëla Rasolofoniaina was born in Madagascar on 2 April 1976. In school he began writing poetry and particularly the traditional Malagasy poetry form called hainteny, which incorporates proverbs and figurative language to address culturally sensitive topics.〔 At the same time, he studied theater performance for four years under Christiane Ramanantsoa, a leading Malagasy actress, author and promoter of the arts. In his late teens and early twenties he studied marketing and tourism at ISCAM, with the intent to open a musical production company for the promotion of Malagasy artists.〔
In 1995, a 19-year-old Samoëla attended a Vahombey concert at the Cercle Germano-Malgache that inspired him to become more directly involved in songwriting. The concert impressed upon him the opportunity to express himself musically by challenging Malagasy cultural and musical norms. In particular, he decided to disregard taboos that prevented artists from addressing controversial or delicate topics in song, instead writing slang-infused lyrics that spoke directly to youth concerns. Many of his lyrics were also imbued with such elements of hainteny as its figurative and poetic descriptions and plays on words.〔Anderson (2000), p. 529〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Samoëla」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.