翻訳と辞書
Words near each other
・ Schellhorn
・ Schelling
・ Schelling-Salon
・ Schellingwoude
・ Schellinkhout
・ Schellman loop
・ Schellsburg Historic District
・ Schellsburg, Pennsylvania
・ Schellschlicht
・ Schelluinen
・ Schellville, California
・ Schellweiler
・ Schelly
・ Schelmentoren
・ Schelmish
Schelomo
・ Schelte a Bolswert
・ Schelte J. Bus
・ Scheltema
・ Schelten
・ Schelten Pass
・ Schelter & Giesecke Type Foundry
・ Schelto Patijn
・ Schelto van Heemstra
・ Schema
・ SCHEMA (bioinformatics)
・ Schema (genetic algorithms)
・ Schema (Kant)
・ Schema (psychology)
・ Schema crosswalk


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Schelomo : ウィキペディア英語版
Schelomo

''Schelomo: Rhapsodie Hébraïque for Violoncello and Orchestra'' was the final work of composer Ernest Bloch’s “Jewish Cycle.”〔Klára Móricz, ''Jewish Identities: Nationalism, Racism, and Utopianism in Twentieth-Century Music'' (Berkeley: University of California Press, 2008), 137.〕 ''Schelomo'', which was written in 1915 to 1916〔David Michael Schiller, ''Bloch, Schoenberg, and Bernstein: Assimilating Jewish Music'' (Oxford: Oxford University Press, 2003), 22.〕 premiered on May 3, 1917, by cellist Hans Kindler.〔Richard Freed, "''Schelomo, Hebraic Rhapsody for Cello and Orchestra.''" The John F. Kennedy Center for the Performing Arts, accessed October 10, 2013, http://www.kennedy-center.org/calendar/?fuseaction=composition&composition_id=3959.〕 Artur Bodanzky conducted the concert, which took place in Carnegie Hall.〔Simmons, Walter, ''Voices in the Wilderness: Six American Neo-Romantic Composers.'' (Lanham, Md: Scarecrow Press, 2004), 58.〕 This concert included other works from Bloch’s “Jewish Cycle,” including the premier of Bloch’s works, ''the Israel Symphony'', which Bloch himself conducted. ''Three Jewish Tone Poems'' was also on the concert, but it had premiered two months earlier in Boston.〔Simmons, ''Voices in the Wilderness: Six American Neo-Romantic Composers,'' 57.〕
==The Jewish Cycle==

The “Cycle” refers to a series of compositions by Bloch in which he was trying to find his musical identity. This was Bloch’s way of expressing his personal conception and interpretation of what he thought Jewish music should be, since the Jewish nation did not exist, in the strictest sense, at the time these biblically-inspired works were written.〔David Z. Kushner, ''Ernest Bloch: A Guide to Research.'' (New York: Garland, 1988), 7–8.〕 These works include: ''Three Jewish Tone Poems'' (1913); ''Prelude and Psalms 114'' and ''137 for soprano and orchestra'' (1912–1914); ''Psalm 22 for baritone and orchestra'' (1914); ''Israel: Symphony with voices'' (1912–1916); and ''Schelomo: Rhapsodie Hébraïque for Violoncello and Orchestra'' (1916).〔Kushner, ''Ernest Bloch: A Guide to Research,'' 8.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Schelomo」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.