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Schnittke : ウィキペディア英語版
Alfred Schnittke

Alfred Schnittke ((ロシア語:Альфре́д Га́рриевич Шни́тке), Alfred Garrievič Šnitke; November 24, 1934August 3, 1998) was a Soviet and Russian composer. Schnittke's early music shows the strong influence of Dmitri Shostakovich. He developed a polystylistic technique in works such as the epic Symphony No. 1 (1969–1972) and his first concerto grosso (1977). In the 1980s, Schnittke's music began to become more widely known abroad with the publication of his second (1980) and third (1983) string quartets and the String Trio (1985); the ballet ''Peer Gynt'' (1985–1987); the third (1981), fourth (1984), and fifth (1988) symphonies; and the viola (1985) and first cello (1985–1986) concertos. As his health deteriorated, Schnittke's music started to abandon much of the extroversion of his polystylism and retreated into a more withdrawn, bleak style.
==Life and career==
Schnittke's father, Harry Viktorovich Schnittke (1914–1975, rus.), was Jewish and born in Frankfurt.〔(Interviews with Alfred Schnittke. )
(Alfred Schnittke: a crazy mixed-up kid )〕 He moved to the USSR in 1927 and worked as a journalist and translator from the Russian language into German. His mother, Maria Iosifovna Schnittke (née Vogel, 1910–1972), was a Volga German born in Russia. Schnittke's paternal grandmother, Tea Abramovna Katz (1889–1970), was a philologist, translator, and editor of German-language literature.
Alfred Schnittke was born in Engels in the Volga-German Republic of the RSFSR, Soviet Union. He began his musical education in 1946 in Vienna, where his father had been posted. It was in Vienna, Schnittke's biographer Alexander Ivashkin writes, where "he fell in love with music which is part of life, part of history and culture, part of the past which is still alive."〔Ivashkin, 32.〕 "I felt every moment there," the composer wrote, "to be a link of the historical chain: all was multi-dimensional; the past represented a world of ever-present ghosts, and I was not a barbarian without any connections, but the conscious bearer of the task in my life."〔As quoted in Ivashkin, 32.〕 Schnittke's experience in Vienna "gave him a certain spiritual experience and discipline for his future professional activities. It was Mozart and Schubert, not Tchaikovsky and Rachmaninoff, whom he kept in mind as a reference point in terms of taste, manner and style. This reference point was essentially Classical ... but never too blatant."〔
In 1948, the family moved to Moscow. Schnittke completed his graduate work in composition at the Moscow Conservatory in 1961 and taught there from 1962 to 1972. Evgeny Golubev was one of his composition teachers. Thereafter, he earned his living chiefly by composing film scores, producing nearly 70 scores in 30 years. Schnittke converted to Christianity and possessed deeply held mystic beliefs, which influenced his music.
Schnittke and his music were often viewed suspiciously by the Soviet bureaucracy. His First Symphony was effectively banned by the Composers' Union. After he abstained from a Composers' Union vote in 1980, he was banned from travelling outside of the USSR. In 1985, Schnittke suffered a stroke that left him in a coma. He was declared clinically dead on several occasions, but recovered and continued to compose.
In 1990, Schnittke left Russia and settled in Hamburg. His health remained poor, however. He suffered several more strokes before his death on August 3, 1998, in Hamburg, at the age of 63. He was buried, with state honors, at the Novodevichy Cemetery in Moscow, where many other prominent Russian composers, including Dmitri Shostakovich, are interred.

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