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''Sequenza'' (Italian for "sequence") is the name borne by fourteen compositions for solo instruments or voice by Luciano Berio. The pieces, some of which call for extended techniques, are: *''Sequenza I'' (1958; rev. 1992) for flute *''Sequenza II'' (1963) for harp *''Sequenza III'' (1965) for female voice *''Sequenza IV'' (1965) for piano *''Sequenza V'' (1966) for trombone *''Sequenza VI'' (1967) for viola *''Sequenza VII'' (1969/2000) for oboe (reworked as ''Sequenza VIIb'' for soprano saxophone in 2000) *''Sequenza VIII'' (1976) for violin *''Sequenza IX'' (1980) for clarinet (reworked 1981 as ''Sequenza IXb'' for alto saxophone, and 1980 as ''Sequenza IXc'' for bass clarinet) *''Sequenza X'' (1984) for trumpet and piano resonance *''Sequenza XI'' (1987) for guitar *''Sequenza XII'' (1995) for bassoon *''Sequenza XIII'' (1995) for accordion *''Sequenza XIV'' (2002) for cello (reworked in 2004 by Stefano Scodanibbio as ''Sequenza XIVb'' for double bass) Several of these pieces became the basis of larger works: ''Sequenza II'', with the addition of extra instrumental parts around the original solo, became ''Chemins I''; ''Sequenza VI'' developed into ''Chemins II'', ''Chemins IIb'', ''Chemins IIc'' and ''Chemins III''; ''Sequenza VII'' became ''Chemins IV''; ''Sequenza XI'' became ''Chemins V''; ''Sequenza X'' became ''Kol-Od'', also known as ''Chemins VI''; ''Sequenza IXb'' became ''Récit'', also known as ''Chemins VII''; and ''Sequenza VIII'' became ''Corale''. Conversely, ''Sequenza IX'' grew out of a piece for clarinet and electronics (later withdrawn), originally known as ''Chemins V''; NB it is not the same as the work with the same title which originates from ''Sequenza XI''. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Sequenza」の詳細全文を読む スポンサード リンク
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