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Nicolas-Marie Simon 'Simon-Max', born Reims in 1852, died 1923, was a French tenor, mainly active in Paris in the field of opera-bouffe. After musical studies in Reims he made his debut in 1875 at the Théâtre de la Renaissance as Janio in ''La reine Indigo'' then on 9 September that year at the Théâtre des Folies-Dramatiques as Anatole de Quillembois in ''Les cent vierges'' by Lecocq.〔Martin J. ''Nos artistes des théâtres et concerts.'' Paul Ollendorff, Paris, 1895.〕 At the Folies-Dramatiques he went on to sing in the premieres of ''Les cloches de Corneville'', 17 April 1877 (Jean Grenicheux), ''La fille du tambour-major'', December 13, 1879 (13 December 1879) and ''Madame Favart'', December 28, 1878 (Hector de Boispréau). Other premieres included Cottinet in ''Le petit Parisien'' (16 January 1882), Inigo in ''La princesse des Canaries'' (9 February 1883), Ischabod in the French premiere of ''Rip'' (11 November 1884), Planchet in ''Les petits mousquetaires'' (5 March 1885), Michel in ''Fanfan la tulipe'', (21 October 1882), Joseph Abrial in ''La fauvette du temple'' (17 November 1885), and singing in revivals of ''La fille de Madame Angot'' (Pomponnet) among others. He created Zizi in ''Ali-Baba'' in Brussels alongside his wife in 1887. Simon-Max then worked at the Théâtre du Châtelet, at the Gaité (Mignapour in ''Le grand Mogol'' in 1889, creating Pinsonnet in ''Le voyage de Suzette'' on 20 January 1890, Pierrot in ''Le petit poucet'' in 1891), at the Théâtre des Bouffes-Parisiens (Don Géranios in ''Madame la Présidente'', 1902, Plum-Quick in ''Florodora'', 1903, and a 1908 revival of ''La petite boheme'' as Barbemuche).〔 Further appearances included the Théâtre de la Renaissance (Smithson in ''Miss Helyett'', 1900, Fritzchen in ''Lischen et Fritzchen'', 1900); and at the Théâtre Dejazet (Martelin in ''Radinol a du coton'', 1901).〔Stoullig E. ''Les Annales du Théâtre et de la Musique, various éditions.'' G Charpentier et Cie, Paris.〕 While the proprietor of the casino in Villerville, a whale was beached which Simon-Max bought, selling the oil and flesh before conserving the skin and converting the body to a theatre large enough to take 100 in the audience. The bizarre character of the Théâtre Baleine helped the success of a show entitled « Jonas Revue ». The whale theatre was moved to Paris, but burnt down the following winter.〔(Entre les signes (1 - rives et dérives) (description of the whale theatre ), in French, with pictures), accessed 18 March 2015.〕 He was the founding director of the Prévoyance théâtrale.〔 During the run of ''Les cloches de Corneville'' he met and married the young soprano lead Juliette Simon-Girard.〔Gänzl K. Juliette Simon-Girard. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997.〕 ==References== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Simon-Max」の詳細全文を読む スポンサード リンク
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