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Sprechgesang
''Sprechgesang'' (, "spoken singing") and ''Sprechstimme'' (, "spoken voice") are expressionist vocal techniques between singing and speaking. Though sometimes used interchangeably, ''Sprechgesang'' is directly related to the operatic ''recitative'' manner of singing (in which pitches are sung, but the articulation is rapid and loose like speech), whereas ''Sprechstimme'' is closer to speech itself (because it does not emphasise any particular pitches).〔Wood, Ralph W.. ''Concerning "Sprechgesang"'', Tempo, new series no. 2, December 1946. (pp. 3–6)〕
==Sprechgesang==
''Sprechgesang'' is more closely aligned with the long-used musical techniques of ''recitative'' or ''parlando'' than is ''Sprechstimme''. Where the term is employed in this way, it is usually in the context of the late Romantic German operas or "music dramas" that were composed by Richard Wagner and others in the 19th century. Thus, ''Sprechgesang'' is often merely a German alternative to ''recitative''.〔Wood, 1946: "'Sprechgesang' means a 'parlando' manner of singing, and indeed is translated in standard dictionaries as 'recitative,' whereas 'sprechstimme' in itself simply means 'speaking voice'".〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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