翻訳と辞書
Words near each other
・ Suplee Formation
・ Suplemon
・ Suplex
・ Suplizio Field
・ Supméca
・ Supna Zaidi
・ Supnick matrix
・ Supnje
・ Supo Shasore
・ Supo Spot
・ Supervisory board
・ Supervisory circuit
・ Supervisory control
・ Supervisory control theory
・ Supervisory program
Supervixen
・ Supervixens
・ Supervoksen
・ Supervolcano
・ Supervolcano (disambiguation)
・ Supervolcano (film)
・ Supervía Poniente
・ SuperWaba
・ Superwarp
・ SuperWASP
・ Superwolf
・ Superwoman
・ Superwoman (album)
・ Superwoman (Alicia Keys song)
・ Superwoman (disambiguation)


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Supervixen : ウィキペディア英語版
Supervixen

"Supervixen" is a 1995 song written, recorded and produced by alternative rock group Garbage, and was the opening track of the band's self-titled debut album. "Supervixen" was titled after Russ Meyer's 1975 violent love-triangle movie ''Supervixens''.
In North America, "Supervixen" was released as an airplay-only single to alternative radio in October 1996. At the time, "Stupid Girl" was still charting highly on the Hot 100, and the band's debut album had been certified platinum by the RIAA for shipping a million units within the United States.
== Composition ==

"Supervixen" was written by Garbage in 1994 during sessions between band members Butch Vig, Duke Erikson, Shirley Manson and Steve Marker at Smart Studios in Madison, Wisconsin. Madison session musician Mike Kashou performed bass guitar on "Supervixen". Manson fought with the rest of the band over a rap-lite vocal she had ad-libbed in the recording booth ("Now I want it too much, now I wanted to stop, now I'm lucky like a falling star fell over me") that she was particularly fond of. She won out, and the part was looped as a backing vocal towards the end of the song. Another part ("yeah, you worry too much, now it's got to be stopped") did not.
Much of the song was built around repeated silences peppered throughout the instrumental sections. The idea for the silences came when the tracking tape kept slipping during mixing.〔 The band had looped a sustained guitar part consisting of two separate pitch-shifted guitar lines〔 but their tape machine's playback function was faulty - parking instead of synching up both ends of the loop seamlessly. The band liked the way the effect had sounded, even though it originated from an unintentional hardware fault: "Basically it goes to dead air, and in a way it's just silence, but that also becomes a hook", Vig later commented.〔 The effect was utilized by the band throughout the structure of "Supervixen", with some of the sections featuring other elements continuing through the deliberate pauses. To achieve this, the band had to make use of extensive muting to keep the final mix tight. Masterdisk's Scott Hull digitally removed the muted sections during the mastering of "Supervixen" to emphasize the silences.
Lyrically, Manson stated that "Supervixen" "is all about saying 'idolise me, I'm going to give you everything you want, but you have to do something in return'. It's a bargaining song about a relationship. I'm not saying "I'm a wee Scottish lass fae Edinburgh and I'm great". It's actually about this supervixen, this Russ Meyer-type woman." Vig and Manson declared that the song's controlling tone is tongue-in-cheek, but Vig made sure to point out that during the live performances Manson's domination "() also kind of becoming real every night."

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Supervixen」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.