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Svaramelakalanidhi
Swaramelakalanidhi is a much celebrated musicological treatise of 16th century Vijayanagara. Authored by Ramamatya in the year 1550, the work is counted among the ''sangita shastra navaratnas'' or the nine 'gems' of the theory of Karnataka Music. The work's importance lies in the fact that it is more relevant and related to modern practice than the books written prior to it. Spread over five chapters, it deals primarily with the theory of ''raga'', describes the ''melas'' for the classification of ''raga'' -and the different ''shuddha svaras'' and ''vikrta svaras'' constituting the ''melas''.
Works by other celebrated contemporaries like Pundarika Vitthala and Somanantha also deal with similar themes, namely the description of ragas, their classification under melas and the enumeration of the shuddha and vikrta svaras constituting the melas. Minor ideological difference can however be discerned among these works.
==The author==
Ramamatya was the grandson of the illustrious Kallinatha (the author of an authoritative commentary to Sarngadeva's Sangita Ratnakara). He was also the royal composer and architect at the court of king Ramaraja. He described himself as abhinavabharatacharya and ''todara-malla'' (meaning "the hero (''malla'') who wears the honorific anklet (''todar'')). The Kannada term means hero (malla) who wears the honorific anklet (todar). The last epithet is however, usually interpreted by some as alluding Todarmal, a minister in the Mughal emperor Akbar's court, the anachronism notwithstanding.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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