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Sămănătorul
''Sămănătorul'' or ''Semănătorul'' (, Romanian for "The Sower") was a literary and political magazine published in Romania between 1901 and 1910. Founded by poets Alexandru Vlahuță and George Coșbuc, it is primarily remembered as a tribune for early 20th century traditionalism, neoromanticism and ethnic nationalism. The magazine's ideology, commonly known as ''Sămănătorism'' or ''Semănătorism'', was articulated after 1905, when historian and literary theorist Nicolae Iorga became editor in chief. While its populism, critique of capitalism and emphasis on peasant society separated it from other conservative groups, ''Sămănătorul'' shared views with its main conservative predecessor, the ''Junimea'' society, particularly in expressing reserve toward Westernization. In parallel, its right-wing agenda made it stand in contrast to the Poporanists, a Romanian populist faction whose socialist-inspired ideology also opposed rapid urbanization, but there was a significant overlap in membership between the two groups. ''Sămănătorul''s relationship with the dominant National Liberal Party was equally ambiguous, ranging from an alliance between ''Sămănătorul'' and National Liberal politician Spiru Haret to Iorga's explicit condemnation of 20th century Romanian liberalism.
Promoting an idealized interpretation of local history, basing its aesthetic ideals on the work of national poet and conservative essayist Mihai Eminescu, the publication advertised itself as the voice of oppressed Romanians in Transylvania and other areas controlled by Austria–Hungary prior to World War I. Its irredentism, as well as its outspoken criticism of the political and cultural establishment, made ''Sămănătorul'' a popular venue for young Romanian intellectuals from both the Kingdom of Romania and the regions surrounding it. The traditionalist literary faction coalescing around the magazine was generally opposed to modernist literature and the aesthetics of modern art, but was more tolerant of Symbolism. In time, ''Sămănătorul'' became host to a subgroup of the local Symbolist movement.
Although short-lived, ''Sămănătorul'' was a major influence on later Romanian literature and culture in general. Its legacy stood at the center of cultural debates between traditionalism and modernism lasting throughout the 20th century. While Iorga personally tried to revive it with the magazines ''Drum Drept'' and ''Cuget Clar'', ''Sămănătorism'' was adopted by other traditionalist or agrarian currents, and was a contributing factor to the cultural tenets of local far right and fascist groups. During the interwar period, it also made a significant impact in Bessarabia (a region since divided between Moldova and Ukraine). The ''Sămănătorist'' ideology itself was traditionally criticized for encouraging isolationism and xenophobia, as well as for its flirtation with antisemitism. In literary and art criticism, the term ''Sămănătorist'' acquired pejorative connotations, denoting specific pastoral and patriotic clichés.
==History==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「Sămănătorul」の詳細全文を読む
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