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Tafelmusik (musical term)
Tafelmusik (German: literally, "table-music") is a term used since the mid-16th century for music played at feasts and banquets. Often the term was also used as a title for collections of music, some of which was intended to be so used. The function was displaced in the late 18th century by the divertimento, and its importance soon diminished, but it was revived and partially restored in the vocal genre of the ''Liedertafel'' by Carl Friedrich Zelter beginning in 1809, and male-voice choral societies describing themselves by this name continued the practice until the mid-20th century.
Some of the most significant composers of ''Tafelmusik'' included Johann Schein, whose ''Banchetto musicale'' of 1617 acquired considerable fame, and Michael Praetorius, who wrote about the phenomenon of ''Tafelmusik'' in his ''Syntagma musicum'' of 1619. Music from Schein's collection is still performed by early music ensembles with some regularity.
The ''Tafelmusik'' or ''Musique de Table'' by the Baroque composer Georg Philipp Telemann is perhaps his most celebrated collection of music.〔It was voted #76 in the Classic 100 Baroque and Before (ABC)〕 Composed in 1733, Telemann's ''Tafelmusik'' has been compared as a collection to the renowned Brandenburg concertos of Johann Sebastian Bach in clearly demonstrating the composer’s supreme skill in handling a diversity of musical genres and a variety of instruments.
''Tafelmusik'' could be either instrumental, vocal, or both. As might be expected, it was often of a somewhat lighter character than music for other occasions.
==References==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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