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Tarashikomi : ウィキペディア英語版
Tarashikomi

Tarashikomi (meaning "dripping in") is a Japanese painting technique, in which a second layer of paint is applied before the first layer is dry. This effect creates a dripping form for fine details such as ripples in water or flower petals on a tree.
Japanese paintings in the past were usually done on paper (or silk) with watercolors. The paintings in the Tomb of Kyushu are some of the earliest Japanese art, painted on the tomb’s walls between the fifth and seventh centuries AD. Silk and paper came from China, and in the seventh century was used primarily for writing; however, it began to be used for art during the eighth century. Silk was most common for hanging scroll paintings, while paper was used for calligraphy on handscrolls. ''Nikawa'' (animal glue) was used for paint; the glue was made from cowhide or other animal skins.〔Winter, John. “Japan, VI, 1: Painting materials and techniques.” Grove Oxford Art Online, 2009〕
==Honami Koētsu==
Honami Kōetsu (1558–1637) was inspired by the Heian period, which was a model of art from the distant past. These works were popular among the samurai, who tried to evoke the past without losing the beauty of the Heien period. Masters of different artistic media and schools inspired other artists, who created their own styles of art or schools. Honami inspired Tawaraya Sōtatsu, who is noted for his tarashikomi technique; Tawaraya inspired Ogata Kōrin, who consolidated the Rimpa school with his brother Kenzan. The tarashikomi technique is part of the Rimpa style of decorative arts.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Tarashikomi」の詳細全文を読む



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