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Trafika
''Trafika'' was an international literary magazine edited in Prague, Czech Republic and New York City between 1993 and 1999. ''Trafika'' was a printed journal that published the poetry and prose of emerging and established authors, with an emphasis on introducing the work of writers who were unknown or little known to English-language readers. In seven issues, Trafika published the work of over 120 authors writing in more than 30 languages.〔http://trafika.com/info.html〕 In addition to original literary texts and translations (into English), ''Trafika'' featured conversations with writers, including Miroslav Holub, Arnošt Lustig, György Konrád, Paul Bowles, and Tomaž Šalamun.〔http://trafika.com/salamun_5.html〕 ==History== ''Trafika'' was founded in Prague 1993 by Michael Lee, Alfredo Sanchez, Scott Rogers and Jeffrey Young. In 1994 Dorsey Dunn joined as editor in New York. ''Trafika'' was first published by Modra Musa Publishers in Prague〔(“Literary Symbiosis Drives Ambitious Magazine” ), The Prague Post, March 9, 1994.〕 and then, from 1994, by Trafika Press, Inc., a non-profit organization registered in New York. ''Trafika'' began as a quarterly but from 1995 publication became irregular.〔(“Good News for Readers: Trafika is Back” ), The Prague Post, June 10, 1998〕 The last issue, ''Trafika 7'', was published in 1999, and the magazine is defunct from that time. During the 1990s the ''Trafika'' Board of Advisors included Morgan Entrekin (Grove/Atlantic); Tracy Cabanis (Alfred A. Knopf); George Dillehay (Publication Management); Jonathan Fanton (The MacArthur Foundation); Daniel Halpern (Ecco Press); Stephen Heintz (EastWest Institute); Peter Kaufman (TV Books); Jeri Laber (Human Rights Watch); Lewis Lapham (Harper’s Magazine); Maristella Lorch (The Italian Academy, New York); Wendy Luers (Foundation for a Civil Society); Marley Rusoff (Bantam, Doubleday & Dell); William Schwalbe (William Morrow & Co.); Elisabeth Sifton (Farrar, Straus & Giroux); Rebecca Sinkler (the New York Times), and Lise Stone. ''Trafika'' received two annual grants from the National Endowment for the Arts. Other supporters included the Calouste-Gulbenkian Foundation, the Council for Literary Magazines and Presses, The Nation Institute, the Central and East European Book Publishing Project, the Open Society Fund-Prague, and the Czech Ministry of Culture.
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