翻訳と辞書 Words near each other ・ Tri-Hill, Pennsylvania ・ Tri-Institutional CBM Program ・ Tri-Institutional MD–PhD Program ・ Tri-Lakes ・ Tri-Lakes, Colorado ・ Tri-M ・ Tri-Metro Conference (Minnesota) ・ Tri-MG Intra Asia Airlines ・ Tri-Mountain State Park ・ Tri-nation series in Bangladesh in 2008 ・ Tri-nation series in Scotland in 2011 ・ Tri-nation series in Zimbabwe in 2010 ・ Tri-National Tornado Training Establishment ・ Tri-Normal League ・ Tri-oval ・ Tri-P-Let ・ Tri-Polar (album) ・ Tri-Pride ・ Tri-R KIS TR-1 ・ Tri-R KIS TR-4 Crusier ・ Tri-R Technologies ・ Tri-Rail ・ Tri-Rail and Metrorail Transfer Station ・ Tri-Ratna Secondary School ・ Tri-River Conference (IHSAA) ・ Tri-River League ・ Tri-Rivers Career Center and Center for Adult Education ・ Tri-Rivers Conference ・ Tri-Rivers District ・ Tri-Sentinel Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Tri-P-Let ： ウィキペディア英語版 Tri-P-Let ''Tri-P-Let'' is an album by American jazz saxophonist Jemeel Moondoc, which was recorded in 1996 and became the first release on the Eremite label. It was Moondoc's first recording since 1985. He leads a trio with two Boston based musicians: bassist John Voigt and drummer Laurence Cook.〔(''Tri-P-Let'' ) at Eremite〕 "Triplet" is an extension of the album ''Judy's Bounce''. "Another One the Hard Way" is dedicated to Ornette Coleman, while "Campbell’s Soup" is named after trumpeter Roy Campbell. "Ruby Riches" has the same scale as John Coltrane used in his song "Dear Lord".〔Original Liner Notes by Jemeel Moondoc〕 ==Reception== In his review for AllMusic, Thom Jurek notes that "''Tri-P-Let'' is what listeners have come to expect from Moondoc: nothing less than his measure of delivering perfection as closely and with as much spirited swinging argument as possible." ''The Penguin Guide to Jazz'' says "''Tri-P-Let'' pretty much carries on from work he was doing on ''Judy's Bounce'' and other early records. Inspired in almost equal measure by Ornette and Albert Ayler, it trades in fierce harmony runs, bursting rhythms, and intense, free form essays."〔 〕 The All About Jazz review by Derek Taylor states "From the opening title piece the three players drop into a commensurate, if somewhat diffuse groove. Moondoc moves out front early blowing clipped angular phrases and both Voigt and Cook possess a fluid touch that frees up the trio’s rhythmic center without sacrificing momentum."〔Taylor, Derek. (''Tri-P-Let'' review ) at All About Jazz〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Tri-P-Let」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.