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・ Tristeirometa decussata
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・ Tristen Walker
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Tristeza
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・ Tristeza, Rio Grande do Sul
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・ Tristia (disambiguation)
・ Tristia of the Deep-Blue Sea
・ Tristich
・ Tristichopteridae
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・ Tristimulus colorimeter
・ Tristin Mays
・ Tristin Norwell
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Tristeza : ウィキペディア英語版
Tristeza

Tristeza (Spanish and Portuguese for 'sadness') is a primarily instrumental band. The band is based in California, with most members currently living in Oakland. Although the group formed in San Diego during 1997,〔(Billboard Magazine bio )〕 no current members reside there. The band has performed in 19 countries.
The original line up included Christopher Sprague, Luis Hermosillo, James LaValle, James Lehner, and Stephen Swesey. This line-up recorded all material that was released through 2003, including the albums "Spine and Sensory (1999)" and "Dream Signals in Full Circles (2000)"
In January 2003, Tristeza played its last concert with Jimmy Lavalle as a main member, although he has joined the band occasionally since then to fill in on guitar and additional keys.
During 2004, Tristeza enlisted guitarist Alison Ables and keyboardist Sean Ogilvie to begin writing songs for "A Colores (2005)". This line-up recorded all material that was released during 2005-2006.
At the start of 2007, the core of Tristeza (Sprague, Lehner, and Hermosillo) with the assistance of Ogilvie, began collaborating with various musicians around the Bay Area, including Camaron Stephens on guitar, and released the scarce/disjointed/lo-fi "Fate Unfolds (2009)" mini album.
In 2010, Tristeza recorded their latest album "Paisajes (2010)" with Tim Green, who recorded the band's first album. "Paisajes" features the band's current line-up of Christopher Sprague (guitar), Luis Hermosillo (bass), James Lehner (drums), Camaron Stephens (guitar),Chris Hash (keys),and Josh Lindenfelzer (trumpet/drums/percussion).
==Critical reception==
CMJ New Music Monthly described Tristeza's style in a review of their album, ''Dream Signals in Full Circles'', "A typical Tristeza track involves a down-shifted take on emo's rhythmic lopsidedness, beds of washy, behind-the-beat keyboards, and Christopher Sprague's arpeggiated, effect-drenched guitar melodies. It's all adeptly played, but the point is less individual virtuosity than collective compositional panache."

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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