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''Typographica'' was the name of a journal of typography and visual arts founded and edited by Herbert Spencer from 1949 to 1967. Spencer was just 25 years old when the first ''Typographica'' was issued. ''Typographica'' was produced in two series: the "Old Series" and the "New Series". Each series was published in sixteen issues. ==Old Series== * ''Typographica'' 1, 1949 (24 pages). Contents: ''Magic and the art of writing; The integration of photo and type; The use of space in typography.'' * ''Typographica'' 2, 1950 (38 pages). Contents: ''Copper-plate scripts; Political typography; The ornamental lettering of Imre Reiner; Visual aids.'' * ''Typographica'' 3, 1950 (38 pages). Contents: ''Function and design in business printing; The possibilities of the photogram; Central School experiments with photograms; Modern French book illustration'' * ''Typographica'' 4, 1951 (48 pages). Contents: ''Type faces: a plea for rational terminology; First principles and last hopes; Music engraving; Chastel's illustrations for ‘Le Bestiare’.'' * ''Typographica'' 5: Purpose and Pleasure, 1952 (40 pages). Contents: ''Is there a 'new' style of typography?; Illustration versus typography; Modern typography in the modern world'' (by Paul Rand); ''Typography to-day'' (by Max Bill); ''Must line weight be uniform?'' * ''Typographica'' 6, 1952 (44 pages). Contents: ''Printers’ and founders’ type specimens; The liberation of the letter; Title on the spine: the case for standardisation; Arguments against standardisation'' (by Peter Ray and Max Bill). * ''Typographica'' 7, 1953 (48 pages). Contents: ''Newspaper typography''; ''Max Bill; Artist and newspaper; A note on early race programmes.'' * ''Typographica'' 8, 1953 (44 pages). Contents: ''A show of hands; Dick Elffers; The autobiography of the wooden press; University magazines; Designing ‘Perspectives USA’'' (by Alvin Lustig). * ''Typographica'' 9, 1954 (40 pages). Contents: ''Publishers’ colophons; The machine-set advertisement; Pattern, sound, and motion'' (Central School type experiments); ''Recent typography in France; Trends in abstract painting in France''. * ''Typographica'' 10, 1955 (36 pages). Contents: ''Stedelijk Museum catalogues; The training of typographers; French lithographic illustration.'' * ''Typographica'' 11, 1955 (36 pages). Contents: ''The tower of Babel; International publishing; H. N. Werkman, printer-painter.'' * ''Typographica'' 12, 1956 (44 pages). Contents: ''Letters in steel; Additions and revivals; Clavé’s Gargantua; The development of Mistral.'' * ''Typographica'' 13, 1957 (40 pages). Contents: ''French book clubs; Locomotive lettering; The arrow in the road; The illustrations of Avigdor Arikha.'' * ''Typographica'' 14, 1958 (40 pages). Contents: ''The publications of Gaberbocchus Press; Two German presses; Sandberg's Experimenta Typographica; Old-fashioned types and new-fangled typography.'' * ''Typographica'' 15, 1958 (40 pages). Contents: ''Telephone directories; Lunch-hour photograms; Büchergilde Gutenberg; Dutch chocolate letters.'' * ''Typographica'' 16, 1959 (44 pages). Contents: ''Modern Hebrew typefaces; Capitals, twin- and multi-print'' (with red/green paper spectacles inserted); ''El Lissitzky: typographer.'' 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Typographica」の詳細全文を読む スポンサード リンク
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