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Uta-awase
, poetry contests or ''waka'' matches, are a distinctive feature of the Japanese literary landscape from the Heian period. Significant to the development of Japanese poetics, the origin of group composition such as ''renga'', and a stimulus to approaching ''waka'' as a unified sequence and not only as individual units, the lasting importance of the poetic output of these occasions may be measured also from their contribution to the imperial anthologies: 92 poems of the Kokinshū and 373 of the Shin Kokinshū were drawn from ''uta-awase''.
==Social context==
, the matching of pairs of things by two sides, was one of the pastimes of the Heian court. The items matched might be , , sweet flag or iris roots, flowers, or poems.〔(【引用サイトリンク】title=E-awase )〕〔(【引用サイトリンク】title=Kai-awase )〕 The last took on new seriousness at the end of the ninth century with the , the source of over fifty poems in the Kokinshū.〔〔
The twenty-eight line diary of the devotes two of its lines to the musical accompaniments, gagaku and saibara, and four to the costumes worn by the former emperor, other participants and the attendants who carried in the , the trays with low miniature "sand-bar beach" coastal landscapes used in ''mono-awase''. At the end of the contest, the poems were arranged around the ''suhama'', those about mist being placed in the hills, those on the bush-warbler upon a blossoming bough, those on the cuckoo upon sprigs of unohana, and the remainder onto braziers hanging from miniature cormorant-fishing boats.〔〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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