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A veil is an article of clothing or cloth hanging that is intended to cover some part of the head or face, or an object of some significance. It is especially associated with women and sacred objects. One view is that as a religious item, it is intended to show honor to an object or space. The actual sociocultural, psychological, and sociosexual functions of veils have not been studied extensively but most likely include the maintenance of social distance and the communication of social status and cultural identity.〔Murphy, R.F. (1964). Social Distance and the Veil. American Anthropologist, New Series, Vol. 66, No. 6, Part 1, pp. 1257–1274〕〔Brenner, S. (1996). Reconstructing Self and Society: Javanese Muslim Women and "The Veil". American Ethnologist, Vol. 23, No. 4, pp. 673–697〕 ==History== The first recorded instance of veiling for women is recorded in an Assyrian legal text from the 13th century BC, which restricted its use to noble women and forbade prostitutes and common women from adopting it. The Mycenaean Greek term , ''a-pu-ko-wo-ko'', possibly meaning "headband makers" or "craftsmen of horse veil", and written in Linear B syllabic script, is also attested since ca. 1300 BC.〔Found on the PY Ab 210 and PY Ad 671 tablets. (【引用サイトリンク】title=The Linear B word a-pu-ko-wo-ko ) (【引用サイトリンク】url=https://www2.hf.uio.no/damos/Index/item/chosen_item_id/4283 )〕〔(【引用サイトリンク】last=Melena )〕 In ancient Greek the word for veil was (''kalyptra''; Ionic Greek: , ''kalyptrē''; from the verb , ''kalyptō'', "I cover")〔, .〕 and is first attested in the works of Homer.〔 At the Perseus Project.〕 Classical Greek and Hellenistic statues sometimes depict Greek women with both their head and face covered by a veil. Caroline Galt and Lloyd Llewellyn-Jones have both argued from such representations and literary references that it was commonplace for women (at least those of higher status) in ancient Greece to cover their hair and face in public. For many centuries, until around 1175, Anglo-Saxon and then Anglo-Norman women, with the exception of young unmarried girls, wore veils that entirely covered their hair, and often their necks up to their chins (see wimple). Only in the Tudor period (1485), when hoods became increasingly popular, did veils of this type become less common. For centuries, women have worn sheer veils, but only under certain circumstances. Sometimes a veil of this type was draped over and pinned to the bonnet or hat of a woman in mourning, especially at the funeral and during the subsequent period of "high mourning". They would also have been used, as an alternative to a mask, as a simple method of hiding the identity of a woman who was traveling to meet a lover, or doing anything she didn't want other people to find out about. More pragmatically, veils were also sometimes worn to protect the complexion from sun and wind damage (when un-tanned skin was fashionable), or to keep dust out of a woman's face, much as the keffiyeh is used today. es of wimple, kerchiefs and headscarfs. Veiling, covering the hair rather than the face, was a common practice with church-going women until the 1960s, typically using lace, and a number of very traditional churches retain the custom. Lace face-veils are still often worn by female relatives at funerals. In North India, Hindu women may often veil for traditional purposes. It is often the custom in rural areas to veil in front of male elders. This veil is called the Ghoonghat or Laaj. This is to show humility and respect to those elder to the woman, in particular elder males. The ghoonghat is customary especially in the westerly states of Gujarat and Rajasthan. These customs are believed to have come from the Islamic influence over Northern and Central India during the Islamist reign of these regions. Although religion is a common reason for choosing to veil, the practice also reflects political and personal conviction, so that it can serve as a medium through which personal character can be revealed.〔Secor, A. (2002). The Veil and Urban Space in Istanbul: Women’s Dress, Mobility and Islamic Knowledge. Gender, Place and Culture, Vol. 9, No. 1, pp. 5–22〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Veil」の詳細全文を読む スポンサード リンク
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