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Vexta
Vexta is an Australian stencil artist and street artist from Melbourne, Victoria.
==Career==
Beginning her career as an artist predominately working on the streets of Melbourne and Sydney, New South Wales, Vexta is now considered to be one of Australia's most popular and renowned Australian artists working within both urban environments and gallery spaces. Much of her work surrounds the concepts of death, rebirth and the duality of the sexes (an area which she has much to comment on as one of the few famous female street artists in operation), can be seen on walls and galleries all over Australia, America, London, mainland Europe, Mexico and South America, and most recently the Contemporary Art Biennale of India. Vexta has been called "one of Australia's few female stencil artists to have achieved wide recognition" by Lois Stavsky, author of the seminal ''Graffiti 365'' art book.
When Vexta moved from her home town of Sydney to Melbourne in the mid-2000s, she was exposed to much of the thriving underbelly of the local stencil culture, which had been gaining notoriety for close to a decade. Studying and working alongside infamous stencil artists such as Dlux, Optic, Sync, and Ha-Ha, she began cutting and spraying her own stencils. Her colourful, neon-drenched images of fallen figures with feathered wings and her iconic kissing skeletons took over Melbourne's streets and cemented her place within the burgeoning scene, of which she is now a main figure.
Her work has been purchased by the National Gallery of Australia and was prominently featured in the gallery's first-ever street and stencil art exhibition, "Space Invaders", which toured Australian art institutions for two years. She has also completed large-scale commissioned pieces on walls around the world internationally, been included in dozens of group shows.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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