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Videodance
Videodance is a genre of dance made for the camera. In videodance, movement is the primary expressive element in the work rather than dialogue (as in conventional narrative movies) or music (as in music videos). Other names for this form are screendance, dance film, cinedance, and dance for camera.
== Defining characteristics ==
Because movement is a basic element in all time-based visual media forms, videodance is distinguished from other film genres by its emphasis on the craft and composition of movement in the work. Often this movement is recognizable as dance in which people are moving in stylized ways, however in some experimental and animated videodances the movement can be pedestrian and unstylized, or even the motion of animals and inanimate objects.
A related genre that is often confused with videodance is the dance documentary film. This is the documentation of dance as it is practiced in real life such as a live performance (i.e. "Dance in America: 'Swan Lake' by American Ballet Theatre" on ''Great Performances'') or a journalistic profile of a dance company, figure, or community (i.e. ''DanceMaker'' about Paul Taylor). Videodance is not a documentation of a dance that could be done in real time in a live setting. It exists only as a fictional or fictionalized dance for screen.
There are a number of different sub-categories and genres of videodance including experimental, narrative, commercial, video games, web dances, and multi-channel installations. Videodance can be seen on almost any media platform from iPods to feature films, commercials and television programs. Currently there are over 150 dance film festivals world wide that feature videodance work.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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