翻訳と辞書
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・ Waiting for the Moon (film)
・ Waiting for the Moon (musical)
・ Waiting for the Morning
・ Waiting for the Morning (song)
・ Waiting for the Night
・ Waiting for the Night (song)
・ Waiting for the Punchline
・ Waiting for the Rain
・ Waiting for the Rest of It
・ Waiting for the Roar
・ Waiting for the Robert E. Lee
・ Waiting for the Sirens' Call
・ Waiting for the Sirens' Call (song)
・ Waiting for the Sonic Boom
・ Waiting for the Summer
Waiting for the Sun
・ Waiting for the Sun (disambiguation)
・ Waiting for the Weekend
・ Waiting for the World to Fall
・ Waiting for the Worms
・ Waiting for Tonight
・ Waiting for Tonight (disambiguation)
・ Waiting for Touchdown
・ Waiting for Woody
・ Waiting for You
・ Waiting for You (F4 album)
・ Waiting for You (film)
・ Waiting for You (Gordon Lightfoot album)
・ Waiting for You (Seal song)
・ Waiting for Your Letter


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Waiting for the Sun : ウィキペディア英語版
Waiting for the Sun

''Waiting for the Sun'' is the third studio album by the American rock band The Doors, recorded from February to May 1968 and released in July 1968. It became the band's first and only No. 1 album, spawning their second US number one single, "Hello, I Love You". It also became the band's first hit album in the UK, where it peaked at No. 16 on the chart.
== Background and recording ==

With the exception of two songs, "Hello, I Love You" and "Summer's Almost Gone", which were recorded for the band's original 1965 demo,. The material for ''Waiting for the Sun'' was written after the band's initial songs from the formation of the group had been recorded for their debut album and second album ''Strange Days''.
The centerpiece of this album was supposed to be the lengthy theatrical piece "Celebration of the Lizard", but in the end only the "Not to Touch the Earth" section was used. "Celebration of the Lizard" was intended to take up an entire album side, but the group was never able to capture a studio recording that they liked. (The band would revisit it later in its full-length form on their 1970 album ''Absolutely Live''.)
The title track "Waiting for the Sun" was left off this album, but would be included on the 1970 album ''Morrison Hotel''.
This album marked keyboardist Ray Manzarek's transition from a Vox Continental to Gibson G-101, the organ he is best known for playing live. The brighter sound of the Vox does appear on a few songs, most notably "We Could Be So Good Together."
Guitarist Robby Krieger's skills with the flamenco guitar can be found present in "Spanish Caravan", with Granainas intro and a reworking of the melody from the classical piece Asturias (Leyenda) composed by Isaac Albéniz.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Waiting for the Sun」の詳細全文を読む



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