|
is a Japanese Tokusatsu television series that first aired in 1966. ''Ultraman'' is a follow-up to the television series ''Ultra Q'', though not technically a sequel or spin-off. The show was produced by the Tsuburaya Productions, and was broadcast on Tokyo Broadcasting System (TBS) from July 17, 1966 to April 9, 1967, with a total of 39 episodes (40, counting the pre-premiere special that aired on July 10, 1966). Although ''Ultraman'' is the first series to feature an Ultra-Crusader, it is actually the ''second'' show in the Ultra Series. ''Ultra Q'' was the first. In fact, ''Ultraman'' opens with the ''Ultra Q'' logo exploding into the ''Ultraman'' logo. ''Ultraman'' ultimately became a major pop culture phenomenon in Japan. The show's success spawned dozens of sequels, spin-offs, imitators, parodies and remakes. ==Series background== ''Ultraman''s central characters were created by Eiji Tsuburaya from Tsuburaya Productions, a pioneer in special effects who was responsible for bringing Godzilla to life in 1954. The show's predecessor was a series called ''Ultra Q,'' a black-and-white 28-episode series very much like the original ''Outer Limits.'' The Ultraman project had the following working titles/plots: *: This story featured a corporeal space creature with two large eyes, who befriended a reporter named Jôji Akita, but the Self Defense Forces, who perceived the alien as a threat, went after them. This was basically the monster version of the British science fiction series ''Doctor Who'' (1963), and Woo's personality was also to be comical. The name "Woo" ended up being used for an otherwise unrelated, yeti-like monster, in episode 30 of ''Ultraman.'' Later, Tsuburaya Productions would ultimately produce a series dubbed ''Bio Planet WoO,'' in January 2006, but this series is very loosely based on the original concept. *, then retitled : The main characters are a defense force, with the same Japanese name as the Science Special Search Party (often dubbed as the "Science Patrol"), but disguised as an art/photography team. One of the members, little did anyone (even his teammates) know, gained the ability to transform into a giant birdlike humanoid monster called Bemlar (not the same Bemlar that Ultraman would fight in Episode # 1 of the actual series), who defends Earth from monsters, aliens and other threats. Unlike Woo, Bemlar was a tough and righteous fighter, and he looked very similar in design to the title monster of the 1967 kaiju film ''Gappa, the Triphibian Monster.'' Allegedly, the plot was scrapped when it was worried audiences might have trouble telling that one monster was good and the other evil. *: The title hero of this project slightly resembled Ultraman as he came to be known, but he looked more demonic and had horns. He came to Earth after his planet was destroyed by aliens from Planet X. (''Ultra Seven'' also shared this working title.) Both Bemlar and Redman were designed by Toru Narita, who also came up with the final design for Ultraman based on his Redman design, now resembling a less-scary Buck Rogers-style alien being, mixed with a bit of the iconic "Roswell Alien." The characteristic "Color Timer," more familiar to American audiences as the "warning light" on Ultraman's chest, was added at the eleventh hour. The first series begins when member Shin Hayata is flying his plane and a red sphere of light crashes into his Mini-VTOL. The sphere turns out to be the transport (Travel Sphere) for a giant red-and-silver being who calls himself Ultraman. Feeling remorse for having killed the human, he merges his essence with Hayata to save him. In return, Hayata serves as the human host for this being, and whenever danger threatens, and the resources of the Science Special Search Party are not enough to counter it, he raises and activates a power-object and artifact called a "beta capsule" and transforms to Ultraman to save the day. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Ultraman」の詳細全文を読む スポンサード リンク
|