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Dangak (syllables: ''dang-ak'') is a genre of traditional Korean court music. The name means "Tang music," and the style was first adapted from Tang Dynasty Chinese music during the Unified Silla period in the late first millennium. It was continued through the Goryeo (918-1392) and Joseon (1392-1910) dynasties, when, along with ''hyangak'' and ''aak'' it was one of the three approved genres of court music. ''Dangak'' performances were accompanied by Tang-style dances known as ''dangak jeongjae''. Together with ''hyangak'', during the Joseon Dynasty ''dangak'' performances were the charge of the ''Jeonakseo'' (hangul: 전악서; hanja: 典樂署; 1394-1457) and later of the Jangagwon (hangul: 장악원; hanja: 掌樂院), the court office of music. Performers of ''hyangak'' and ''dangak'' were drawn from the lower classes, in contrast to performers of ''aak''. One of the most famous pieces in the ''dangak'' repertoire is called ''Nakyangchun'' (hangul: 낙양춘; hanja: 洛陽春; lit. "Spring in Luoyang"). The American composer Lou Harrison, who studied traditional music in South Korea in 1961, created an arrangement of this work. The Korean composer Isang Yun also composed a contemporary orchestral work entitled ''Loyang'', in 1962. ''Nakyangchun'' and a second piece, ''Boheoja'' (hangul: 보허자; hanja: 步虛子; literally "Pacing the Void"), are the only surviving pieces of ''Dangak'' music. ==Notes== # Song (1999), p. 22. # http://www.ncktpa.go.kr/eng/aboutg/pdf/29.pdf 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「dangak」の詳細全文を読む スポンサード リンク
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