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fauxbourdon
Fauxbourdon (also Fauxbordon, and also commonly two words: Faux bourdon or Faulx bourdon) – French for ''false bass'' – is a technique of musical harmonisation used in the late Middle Ages and early Renaissance, particularly by composers of the Burgundian School. Guillaume Dufay was a prominent practitioner of the form (as was John Dunstaple), and may have been its inventor. The homophony and mostly parallel harmony allows the text of the mostly liturgical lyrics to be understood clearly.
==Description==
In its simplest form, fauxbourdon consists of the cantus firmus and two other parts a sixth and a perfect fourth below. To prevent monotony, or create a cadence, the lowest voice sometimes jumps down to the octave, and any of the accompanying voices may have minor embellishments. Usually just a small part of a composition employs the fauxbourdon technique.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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