翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

gandingan : ウィキペディア英語版
gandingan

The gandingan is a Philippine set of four large, hanging gongs used by the Maguindanao as part of their kulintang ensemble. When integrated into the ensemble, it functions as a secondary melodic instrument after the main melodic instrument, the kulintang. When played solo, the gandingan allows fellow Maguindanao to communicate with each other, allowing them to send messages or warnings via long distances. This ability to imitate tones of the Maguindanao language using this instrument has given the gandingan connotation: the “talking gongs.”
==Description==

The instrument is usually described as four, large, shallow-bossed, thin-rimmed gongs, vertically hung, either from a strong support such as a tree limb or housed in a strong wooden framed stand. The gongs are arranged in graduated fashion in pairs with knobs of the lower-pitched gongs facing each other and the higher-pitched gongs doing the same. Normally, the lower-pitched gongs would be situated on the left side and the higher pitched gongs on the right side of the player if he/she were right-handed.〔〔Terada, Yoshitaka. "Variational and Improvisational Techniques of Gandingan Playing in the Maguindanaon Kulintang Ensemble." ''Asian Music'' XXVII.2 (1996): 53-79.〕〔Benitez, Kristina. ''The Maguindanaon Kulintang: Musical Innovation, Transformation and the Concept of Binalig''. Ann Harbor, MI: University of Michigan, 2005.〕〔Kalanduyan, Danongan S. "Maguindanaon Kulintang Music: Instruments, Repertoire, Performance, Contexts, and Social Functions." ''Asian Music'' XXVII.2 (1996): 3-18.〕 This arrangement in fact is similar to the arrangement of gongs on the horizontally laid kulintang – so much so, in fact that master musicians say it duplicates the pattern of intervals used on the four lower-pitched gongs of the kulintang.〔Talusan, Mary. "Ethnomusicology 20C Musical Cultures of the World: Music of Asia." Section 2, ''Southeast Asia''. 9 March 2006. University of California, Los Angeles. 12 Oct 2006.〕
The gongs, themselves, although variable in pitch, are relatively similar in size. Diameters range from 1.8 to 2 feet and 5 to 8 inches (including the boss) in width for the smallest to largest gongs respectively.〔 Because of their slight differences, smaller gongs could be placed into larger gongs, making transport of these gongs more portable than an agung’s, whose turned-in-rim eliminates that possibility.〔
Traditionally, the metal used for the gandingan was bronze but due to its scarcity, gandingans are more commonly made of less valuable metals such as brass and even iron. Recently, galvanized iron sheets have been used where different parts of the gong (the knob, body and rim) would be made from separate sheets and welded together, then grinded out to produce a finished product.〔 Comparatively, these newer gongs have a higher pitch and are smaller in size than those made in older times.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「gandingan」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.