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Ideasthesia (alternative spelling ideaesthesia) is defined as a phenomenon in which activations of concepts (inducers) evoke perception-like experiences (concurrents). The name comes . The main reason for introducing the notion of ideasthesia was the empirical evidence indicating that the related term synesthesia (i.e. ''union of senses'') suggests incorrect explanation of a set of phenomena traditionally covered by this heading. ''Syn-aesthesis'' denoting "co-perceiving", implies the association of two sensory elements with little connection to the cognitive level. However, according to some workers,〔Dixon, M.J., Smilek, D., Duffy, P.L., Zanna, P. M., Merikle, P. M. (2006) The Role of Meaning in Grapheme-Colour Synaesthesia, ''Cortex'' 42: 243-252.〕〔Mroczko A., T. Metzinger, W. Singer, D. Nikolić (2009) Immediate transfer of synesthesia to a novel inducer. ''Journal of Vision'', 9: 2521-2528.〕〔Simner, J.; Ward, J. (2006) The taste of words on the tip of the tongue, ''Nature'' 444: 438.〕〔Nikolić, D., U.M. Jürgens, N. Rothen, B. Meier, A. Mroczko (2011) Swimming-style synesthesia. ''Cortex'', 47(7):874-879.〕〔Chiou, R., Rich N.A. (2014) The role of conceptual knowledge in understanding synaesthesia: Evaluating contemporary findings from a ‘hub-and-spoke’perspective. ''Frontiers in Psychology'', 5: 105.〕 most phenomena that have inadvertently been linked to synesthesia in fact are induced by the semantic representations i.e., the meaning of the stimulus rather than by its sensory properties, as would be implied by the term synesthesia. In other words, while synesthesia presumes that both inducer and concurrent are of sensory nature, ideasthesia presumes that only the concurrent is of sensory nature while inducer is semantic. Research on ideasthesia bears important implications for solving the mystery of human conscious experience, which according to ideasthesia, is grounded in how we activate concepts.〔Mroczko-Wąsowicz, A., Nikolić D. (2014) Semantic mechanisms may be responsible for developing synesthesia. ''Frontiers in Human Neuroscience'' 8:509. doi: 10.3389/fnhum.2014.00509〕 ==Examples and evidence== A common example of ideasthesia is the association between graphemes and colors, usually referred to as grapheme-color synesthesia. Here, letters of the alphabet are associated with vivid experiences of color. Studies have indicated that the perceived color is context-dependent and is determined by the extracted meaning of a stimulus. For example, an ambiguous stimulus '5' that can be interpreted either as 'S' or '5' will have the color associated with 'S' or with '5', depending on the context in which it is presented. If presented among numbers, it will be interpreted as '5' and will associate the respective color. If presented among letters, it will be interpreted as 'S' and will associate the respective synesthetic color.〔 Evidence for grapheme-color ideasthesia comes also from the finding that colors can be flexibly associated to graphemes, as new meanings become assigned to those graphemes. In one study synesthetes were presented with Glagolitic letters that they have never seen before, and the meaning was acquired through a short writing exercise. The Glagolitic graphemes inherited the colors of the corresponding Latin graphemes as soon as the Glagolitic graphemes acquired the new meaning.〔 In another study, synesthetes were prompted to form novel synesthetic associations to graphemes never seen before. Synesthetes created those associations within minutes or seconds - which was time too short to account for creation of new physical connections between color representation and grapheme representation areas in the brain,〔Jürgens U.M., Nikolić D. (2012) Ideaesthesia: Conceptual processes assign similar colours to similar shapes. ''Translational Neuroscience'', 3(1): 22-27.〕 pointing again towards ideasthesia. For lexical-gustatory synesthesia evidence also points towards ideasthesia: In lexical-gustatory synesthesia, verbalisation of the stimulus is not necessary for the experience of concurrents. Instead, it is sufficient to activate the concept.〔 Another case of ideasthesia is swimming-style synesthesia in which each swimming style is associated with a vivid experience of a color.〔〔Mroczko-Wąsowicz, Aleksandra, and Markus Werning. Synesthesia, sensory-motor contingency, and semantic emulation: how swimming style-color synesthesia challenges the traditional view of synesthesia. ''Frontiers in psychology'' 3 (2012).〕 These synesthetes (ideasthetes) do not need to perform the actual movements of a corresponding swimming style. To activate the concurrent experiences, it is sufficient to activate the concept of a swimming style (e.g., by presenting a photograph of a swimmer or simply talking about swimming). It has been argued that grapheme-color synesthesia for geminate consonants provides also evidence for ideasthesia.〔Weaver, D.F., Hawco C.L.A. (2015) Geminate consonant grapheme-colour synaesthesia (ideaesthesia). ''BMC Neurology'', 15:112.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「ideasthesia」の詳細全文を読む スポンサード リンク
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