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|cultural_origins = Late 1960s and early 1970s in West Germany |instruments = |popularity = Underground, but some bands were commercially successful. |derivatives = |regional_scenes = Berlin – Düsseldorf |other_topics = Art rock – Space rock }} Krautrock is a genre of rock and electronic music that originated in Germany in the late 1960s, with a tendency towards improvisation on minimalistic arrangements. The term was popularized in the English-speaking press. Later, German media started to use it as a term for all German rock bands from the late 1960s and 1970s, while abroad the term specifically referred to more experimental artists who often used synthesizers and other electronic instruments. The term is a result of the English-speaking world's reception of the music at the time and not a reference to any one particular scene, style, or movement, as many krautrock artists were not familiar with one another. BBC DJ John Peel in particular is largely credited with spreading the reputation of krautrock outside of the German-speaking world. Largely divorced from the traditional blues and rock and roll influences of British and American rock music up to that time, the period contributed to the evolution of electronic music and ambient music as well as the birth of post-punk, alternative rock and new-age music. Key artists associated with the tag include Can, Amon Düül II, Ash Ra Tempel, Faust, Popol Vuh, Cluster, Harmonia, Tangerine Dream, Klaus Schulze, Neu!, and Kraftwerk. ==Origin of the term== The word ''krautrock'' was originally a humorous one coined in the early 1970s by the UK music newspaper ''Melody Maker'', in which experimental German bands found an early and enthusiastic following, and ironically retained by its practitioners.〔'Krautrock - Cosmic Rock and its Legacy' by David Stubbs, Erik Davis, Michel Faber and various contributing authors. Published 2009 by Black Dog Publishing Limited, London ISBN 978-1-906155-66-7〕 The term derives from the ethnic slur "kraut", and its use by the music press was inspired by a track from Amon Düül's ''Psychedelic Underground'' titled "Mama Düül und Ihre Sauerkrautband Spielt Auf" ('Mama Düül and her Sauerkrautband Strike Up').〔 As is often the case with musical genre labels, few of the bands wished to see themselves pigeon-holed and most tended to eschew the term. The term is problematic due to the considerable differences between artists so labelled. Musicologist Julian Cope, in his book ''Krautrocksampler'', says "Krautrock is a subjective British phenomenon," based on the way the music was received in the UK rather than on the actual West German music scene out of which it grew. For instance, while one of the main groups originally tagged as krautrock, Faust, recorded a seminal 12-minute track they titled "Krautrock", they would later distance themselves from the term, saying: "When the English people started talking about Krautrock, we thought they were just taking the piss... and when you hear the so-called 'Krautrock renaissance,' it makes me think everything we did was for nothing." 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「krautrock」の詳細全文を読む スポンサード リンク
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