翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

mbalax : ウィキペディア英語版
mbalax


Mbalax (or Mbalakh) is the national popular dance music of Senegal and the Gambia. Mbalax is a fusion of popular Western music and dance such as jazz, soul, Latin, and rock blended with ''sabar'', the traditional drumming and dance music of Senegal. The genre's name derived from the heavy use of accompanying rhythms used in ''sabar'' called ''mbalax''.
==History and influence==

Mbalax (meaning rhythm in the Wolof language), is a type of music that traces some of its technique to the conservative and the religious Serer music tradition of ''Njuup'' (the progenitor of Mbalax), developed in Senegal in the early 1970s. Like many other francophone West African countries the Senegalese popular music scene was partially influenced by soul, blues, jazz, R&B, and rock from the United States, varieté from France, Congolese rumba, and Latin pop from the Caribbean and New York (e.g., pachanga, son, charanga, salsa, and Latin jazz) . In this mix of African diasporic sounds Senegalese fans and musicians wanted their own urban popular dance music so they began singing in Wolof (Senegal's lingua franca) instead of French, and incorporated rhythms of the indigenous ''sabar'' drum (see Mangin〔Mangin, Timothy R. "Notes on Jazz in Senegal." Uptown Conversation: The New Jazz Studies. Eds. O'Meally, Robert G., Brent Hayes Edwards and Farah Jasmine Griffin. New York: Columbia University Press, 2004. 224-49. Print.〕). Dancers began using moves associated with the sabar, and tipping the singers as if they were traditional ''griots''.
Among the bands that played this new style, Etoile de Dakar (starring Youssou N'Dour and El Hadji Faye), and Raam Daan (starring Thione Seck), Xalam II, and Super Diamono. Since becoming popular, both Mbalax and its associated dance have spread to other regions such as Mali, Mauritania, Ivory Coast and France. This dissemination has come about through radio, audio cassettes and televised video clips.
Mbalax instrumentation includes keyboards, synths and other electronic production methods. However, it is the Nder (lead drum), the Sabar (rhythm drum), and the Tama (talking drum) percussion, and widely influenced African and Arabic vocalistic stylings that continue to make Mbalax one of the most distinctive forms of dance music in west Africa and the diaspora. Jazz, Funk, Latin (especially Cuban) and Congolese pop music influenced the early sounds of Mbalax, today it is also influenced by RnB, Hip-Hop, Coupé-Décalé, Zouk and other modern Caribbean, Latin, and African pop musics. Mbalax artists frequently collaborate with artists from other genres, such as Viviane Ndour's work with Zouk star Philip Monteiro and French/Malian rap star Mokobé. Perhaps the most well known collaboration of all was Youssou Ndour's huge hit with Neneh Cherry; 'Seven Seconds'.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「mbalax」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.