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microhouse
Microhouse, buftech or sometimes just minimal, is a subgenre of house music strongly influenced by minimalism and 1990s techno.〔 Microhouse shares some common elements with less intense deep house, notably low pulsating basslines and long-lasting crashes; however, they diverge in tempo and the presence of vocals.
==History==
Microhouse has its roots in the minimal techno, bitpop (both developed in the early 90's), and house (developed in the early 80's) genres of music. Its first echoes appeared in a glitch album by German experimental artist Oval, in 1993. Like many contemporary electronic genres, Microhouse has many influences, most notably techno and the "click and pop" garage house that has emerged from Yorkshire Bleeps and Bass (or "Bleep"), bitpop and minimal techno. Contrasting with tech house, which is often thought of as 'house with techno melodic elements', microhouse is more aptly described as 'housey minimal techno' – a marriage of the funky and groovy backroom house elements with bitpop and the driving, repetitive sound of techno.
The first microhouse track to gain mainstream popularity by a non-glitch artist was Isolée's 1999 anthem, 'Beau Mot Plage'. However, microhouse did not begin to rapidly build in popularity until the early 2000s with the advent of record labels such as Kompakt, Perlon, Spectral Sound, Fabric, Telegraph and Force Inc. The term ''microhouse'' is usually credited to music journalist and DJ Philip Sherburne,〔Michaelangelo Matos (April 7, 2010). ("Pantha Du Prince: Techno Music A Rock Fan Can Love" ), ''NPR Music''.〕 writing for the magazine ''The Wire'' in 2001, to describe, according to Stelfox, "the spectral, hypnotic interpretation of classic Chicago grooves emerging on labels such as Perlon, Kompakt, Playhouse, Ongaku, Klang Elektronik and the Mille Plateaux family of imprints-most notably Force Tracks and Force Inc- at the turn of the millennium."
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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