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nunsploitation : ウィキペディア英語版
nunsploitation

Nunsploitation is a subgenre of exploitation film which had its peak in Europe in the 1970s. These films typically involve Christian nuns living in convents during the Middle Ages. The main conflict of the story is usually of a religious or sexual nature, such as religious oppression or sexual suppression due to living in celibacy. The Inquisition is another common theme. These films, although often seen as pure exploitation films, often contain criticism against religion in general and the Catholic Church in particular. Indeed, some protagonist dialogue voiced feminist consciousness and rejection of their subordinated social role. Many of these films were made in countries where the Catholic Church is influential, such as Italy and Spain. One atypical example of the genre, however, is ''Killer Nun'' (''Suor Omicidi''), set in then present-day Italy (1978).
Nunsploitation, along with nazisploitation, is a subgenre that ran a parallel course alongside women in prison films in the 1970s and 1980s. As with prison films, they are set in isolated, fortress-like convents where the all-female population turns to lesbianism and perversity. The element of religious guilt allows for lurid depictions of "mortifying the flesh" such as self-flagellation and painful, masochistic rituals. The mother superior is usually a cruel and corrupt warden-like martinet who enforces strict discipline (more opportunities for whippings and medieval-style punishments) and often lusts after her female charges. An equally sadistic and lecherous priest is often included to add an element of masculine menace to the story.
Some segments from the Scandinavian silent film ''Häxan'' (1922) may be seen as a precursor for this genre. A more recent act of nunsploitation in a film is in Robert Rodriguez' ''Machete'' (2010), where Lindsay Lohan portrays a gun-toting nun.
Among other examples of exploitation cinema in Europe over the last sixty years, nunsploitation genre movies are discussed in Mendik and Mathij's recent overview volume on this general trend within regional cinema genres, cultures, and audience consumption. Chris Fujiwara wrote a detailed piece discussing examples of the genre such as ''Killer Nun'' (1978), ''The Nun and the Devil'' (1973) and ''Flavia the Heretic'' (1974), in ''Hermenaut'', a USA pop culture journal.
==Historical basis==
Some films, such as the X-rated ''The Devils'', based on a book by Aldous Huxley and directed by Ken Russell, have some basis in fact. Huxley based his original historical account, ''The Devils of Loudun'', on a reported case of mass hysteria and demonic possession that allegedly took place at a French convent in the seventeenth century. Given that the genre was the product of the sixties and seventies, with an occasional contemporary example like the recent ''Sacred Flesh'' (1999), there has been little further resort to possible historical source material, like Aelred of Hexham (1110–1167) and his account of the Nun of Watton, for example. Another example might be the life of sister Benedetta Carlini, a 17th-century Italian lesbian nun.
Twenty years ago, Graciela Daichan collected stories about aberrant medieval religious women, but since that time, there has been few other serious historical attempt to explore what factual basis might exist for the literary depictions that often served as the basis for nunsploitation cinema. In 2010, Craig Monson wrote ''Nuns Behaving Badly'', which dealt with the social and sexual lives of religious women in sixteenth and seventeenth century Italy, but such work remains rare.〔Craig Monson: ''Nuns Behaving Badly: Tales of Music, Magic, Art and Arson in the Convents of Italy'': University of Chicago Press: 2010.〕 However, recent work on the dramaturgy of demonic possession in medieval Europe may be useful to comprehend the social, psychological and behavioural context of such acts.〔Brian Levack: ''The Devil Within: Exorcism and Possession in the Christian West'': New Haven: Yale University Press: 2013.〕

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