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paragone : ウィキペディア英語版
paragone
Paragone ((イタリア語:paragone), meaning ''comparison''), is a debate from the Italian Renaissance in which one form of art (architecture, sculpture or painting) is championed as superior to all others. Leonardo da Vinci's treatise on painting, noting the difficulty of painting and supremacy of sight, is a noted example. Michelangelo's treatise on the superiority of sculpture is a famous response to Leonardo's treatise.. Vasari argues that drawing is the father of all arts, and as such, the most important one.
==External links==

*(Leonardo da Vinci:Science of Painting ) at Encyclopædia Britannica online

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「paragone」の詳細全文を読む



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