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postconceptual
Post-conceptual, Postconceptual, Post-conceptualism or Postconceptualism is an art theory that builds upon the legacy of conceptual art in contemporary art, where the concept(s) or idea(s) involved in the work takes some precedence over traditional aesthetic and material concerns.〔Peter Osborne, ''Conceptual Art: Themes and movements'', Phaidon, London, 2002. p. 28〕 The term first came into art school parlance through the influence of John Baldessari at the California Institute of the Arts in the early 1970s. The writer eldritch Priest, specifically ties John Baldessari's piece ''Throwing four balls in the air to get a square (best of 36 tries)'' from 1973 (in which the artist attempted to do just that, photographing the results, and eventually selecting the best out of 36 tries, with 36 being the determining number as that is the standard number of shots on a roll of 35mm film) as an early example of post-conceptual art.〔eldritch Priest, ''Boring Formless Nonsense: Experimental Music and The Aesthetics of Failure'', Bloomsbury Academic, 2013, p. 5〕 It is now often connected to generative art and digital art production.〔Peter Osborne, ''Anywhere Or Not At All : Philosophy of Contemporary Art'', Verso Books, London, 2013. pp. 125-131〕
==As art practice==
Post-conceptualism as an art practice has also been connected to the work of Robert C. Morgan, specifically his ''Turkish Bath'' installation at Artists Space in 1976, and in Morgan's writing in ''Between Modernism and Conceptual Art: A Critical Response '' from 1997. It has been connected to the work of Robert Smithson,〔Peter Osborne, ''Anywhere Or Not At All : Philosophy of Contemporary Art'', Verso Books, London, 2013. pp. 99-116〕 Mel Bochner, Robert Barry, Yves Klein,〔Alexander Alberro & Sabeth Buchmann, eds., ''Art After Conceptual Art'', Cambridge, Mass.: MIT Press, 2006, pp. 89-93〕 Piero Manzoni,〔Alexander Alberro & Sabeth Buchmann, eds., ''Art After Conceptual Art'', Cambridge, Mass.: MIT Press, 2006, p. 15〕 Manfred Mohr, Joseph Nechvatal,〔https://vimeo.com/3908524 "Interview with Joseph Nechvatal, post-conceptual digital artist, composer and art theoretician"〕 Lygia Clark,〔Alexander Alberro & Sabeth Buchmann, eds., ''Art After Conceptual Art'', Cambridge, Mass.: MIT Press, 2006, p. 87〕 Roy Ascott, Allan McCollum, Mary Kelly, Annette Lemieux,〔Alexander Alberro & Sabeth Buchmann, eds., ''Art After Conceptual Art'', Cambridge, Mass.: MIT Press, 2006, p. 15〕 Matt Mullican, and the intermedia concept employed in the mid-sixties by Fluxus artist Dick Higgins.〔Peter Osborne, ''Anywhere Or Not At All : Philosophy of Contemporary Art'', Verso Books, London, 2013. p. 99〕
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