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''Pronkstilleven'' (Dutch for 'ostentatious', 'ornate' or 'sumptuous' still life) is a style of ornate still life painting, which was developed in the 1640s in Antwerp from where it spread quickly to the Dutch Republic. ==Development== Flemish artists such as Frans Snyders and Adriaen van Utrecht started to paint still lifes that emphasized abundance by depicting a diversity of objects, fruits, flowers and dead game, often together with living people and animals. The style was soon adopted by artists from the Dutch Republic.〔(Oxford Dictionary of Art Terms: Pronkstilleven )〕 A leading Dutch representative was Jan Davidsz. de Heem, who spent a long period of his active career in Antwerp and was one of the founders of the style in Holland.〔(Jan Davidsz. de Heem ) at the Netherlands Institute for Art History 〕 〔(Ben van Beneden, ''Massijs, Rubens, Van Dyck en de anderen. ) Schilderkunst in Antwerpen, 1500-1650'' 〕 Other leading representatives in Flanders and the Dutch Republic were Nicolaes van Verendael, Alexander Coosemans, Carstian Luyckx, Jasper Geeraards, Peter Willebeeck, Abraham van Beyeren and Willem Kalf.〔 Cornelis Norbertus Gijsbrechts developed the style further by incorporating pronkstillevens in the trompe-l'œil compositions for which he was known. An example is his ''Silverware in an Open Cabinet'' at the Museum of Fine Arts, Ghent.〔(Cornelis Norbertus Gijsbrechts, ''Pronkstilleven in an open cabinet'' ) at barokinvlaanderen 〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「pronkstilleven」の詳細全文を読む スポンサード リンク
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