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rangoli : ウィキペディア英語版
rangoli

Rangoli, also known as Kolam or Muggu, is a folk art from India in which patterns are created on the floor in living rooms or courtyards using materials such as colored rice, dry flour, colored sand or flower petals. It is usually made during Diwali (Deepawali), Onam, Pongal and other Indian festivals. They are meant to be sacred welcoming areas for the Hindu deities. Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Similar practices are followed in different states of India: Rangoli in Karnataka, Kolam in Tamil Nadu, Mandana in Rajasthan, Chaookpurna in Chhattisgarh, Alpana in West Bengal, Aripana in Bihar, Chowk pujan in Uttar Pradesh, Muggu in Andhra Pradesh, Golam kolam or kalam in Kerala and others except in North eastern states.
The purpose of rangoli is decoration, and it is thought to bring good luck. Design depictions may also vary as they reflect traditions, folklore and practices that are unique to each area. It is traditionally done by women. Generally, this practice is showcased during occasions such as festivals, auspicious observances, marriage celebrations and other similar milestones and gatherings.
Rangoli designs can be simple geometric shapes, deity impressions, or flower and petal shapes (appropriate for the given celebrations), but they can also be very elaborate designs crafted by numerous people. The base material is usually dry or wet powdered rice or dry flour, to which sindoor (vermilion), haldi (turmeric) and other natural colors can be added. Chemical colors are a modern variation. Other materials include colored sand, red brick powder and even flowers and petals, as in the case of flower rangolis.
==In different states==

Rangoli art is an ''adornment or decoration'' that has different names in different states of India; for example, Rangoli in Karnataka, Chaookpurna in Chhattisgarh, Mandana in Rajasthan, Aripan in Bihar, Alpana in Bengal, Sanskar Bharti in Maharashtra, Kolam in Tamil Nadu, Muggulu in Andhra Pradhesh, Alikhthap in Kumaon, Kalam in Kerala, and Saathiya in Gujarat. Not just in names, the designs also vary as per the region.
In middle India mainly in Chhattisgarh Rangoli is called Chaook and is generally drawn at the entrance of a house or any other building. Dried rice flour or other forms of white dust powder is used for drawing Chaooks. Although there are numerous traditional Chaook patterns, many more can be created depending on the creativity of the person who draws it. It is considered auspicious as it signifies showering of good luck and prosperity on the house and in the family. It is not drawn like a picture. Patterns are created based on certain systems. Generally women get up early in the morning and clean the area just outside the entrance of their houses with cow dung, sprinkle the area with water and draw the Chaook. In Maharashtra, rangolis are drawn on the doors of homes so that evil forces attempting to enter are repelled. During the festival of Onam in Kerala, flowers are laid down for each of the ten days of the celebration, the design growing larger and more complex every day. In Tamil Nadu, Andhra Pradhesh and Karnataka, the Kolam is drawn upon the ground or floor daily. The designs are geometric and symmetrical मूल्यतः shapes but the materials used are similar rangoli: rice flour or slurry is used. In Rajasthan the Mandana are painted on walls. Mmandne, various festivals, major festivals and can be categorized based on seasons. Different shapes depending on the size of it also can be shared. Kumaon's "writing beat 'or in a variety of plotting symbols Thapa, artistic designs, Bellbutoan is used. Alikhthap of society apart - separated by different groups - different icons and art media is used.
==Key elements==
Rangoli's most important element is Utswdhermita. For this, auspicious symbols are selected. The design for generations are passed on as they are made - and is required to make these symbols. Traditionally, each new generation learns the art and thus a family keeps the tradition intact. Some major symbols used in Rangoli are the lotus flower, its leaves, mango, Tue vase, fish, different kind of birds like parrots, swans, peacocks, and human figures and foliage. Oftentimes Rangoli are made on special occasions like Diwali. Some special patterns for Diwali Rangoli are the Diya also called Deep, Ganesha, Lakshmi, flowers or birds of India.
The second key element is using the materials used to make the rangoli. The materials used are easily found everywhere. Therefore this art is prevalent in all homes, rich or poor. Normally the major ingredients used to make rangoli are - Pise rice solution, dried powder made from the leaves color, charcoal, burned soil was, wood sawdust, etc..
The third important element is the background. Rangoli use the background of a clear floor or wall or Llype is used. Rangoli can be made in a yard in the middle, corners, or as a bell is created around.
Dehri gateway is a tradition of making rangoli. God's seat, depending on lamp, place of worship and sacrifice on the altar is a tradition of decorating rangoli. With time, imagination and innovative ideas in Rangoli art is also incorporated. Hospitality and tourism has also had its effect and rangoli has been commercially developed in places such as hotels. Its traditional charm, artistry and importance still remain.
Rangoli is also created using coloured rice, dry flour, flower petals, turmeric (haldi), Vermillion (Sindoor) and coloured sand. The patterns include the face of Hindu deities, geometric shapes peacock motifs and round floral designs. Many of these motifs are traditional and are handed down by the previous generations. This makes rangoli a representation of India’s rich heritage and the fact that it is a land of festivals and colour.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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