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samavadi
The samavadi is the second-most prominent (though not necessarily second-most played) note of a raga in Indian classical music. The primary note of the raga is the ''vadi''; the vadi and samvadi are in most cases a fourth or fifth apart.
A ''samvadi'' is a note of special significance. A performer will typically try to emphasize the ''samvadi'' along with the vadi when improvising on a certain raga. The ''vadi'' and ''samvadi'' can be crucial in defining the raga at hand, and in some cases two ragas with the same arohana and avrohana can be distinguished only by the prominence of their sonant and consonant notes.
==References==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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