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seleh
In Javanese gamelan music, the ''sèlèh'' note or ''nada seleh'' is the final note of a ''gatra'', or four-beat melodic unit. As such it is the note which serves as the goal for all the various strands of the musical texture.〔Brinner, Benjamin (2008). ''Music in Central Java'', p.60. ISBN 978-0-19-514737-7.〕
The main underlying melodic structure of a gamelan piece, called the ''balungan'', is grouped into four-beat units (called ''gatra''). This typical grouping of four is similar to a great deal of Western music; however, in contrast with a bar of four beats in western classical music, the strongest beat in gamelan music falls not on the first of the four beats, but on the last. This last beat is referred to as the ''seleh'' note.
The ''seleh'' note has a crucial role in predicating what decorative patterns (''cengkok'' and ''sekaran'') the elaborating instruments such as the ''bonang'' should play, since these patterns usually aim to coincide with the ''balungan'' on the ''seleh'' note so as to produce aural consonance.
==Sources==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「seleh」の詳細全文を読む
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