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zoomusicology
Zoomusicology is a field of musicology and zoology or more specifically, zoosemiotics. Zoomusicology is the study of the music of non-human animals, or rather the musical aspects of sound or communication produced and received by animals.
Zoomusicology may be distinguished from ethnomusicology, the study of human music.
==Background==
Zoomusicologist Dario Martinelli describes the subject of zoomusicology as the, "aesthetic use of sound communication among animals." George Herzog (1941) asked, "do animals have music?" François-Bernard Mâche's ''Musique, mythe, nature, ou les Dauphins d'Arion'' (1983), includes a study of "ornitho-musicology" using a technique of Nicolas Ruwet's ''Langage, musique, poésie'' (1972), paradigmatic segmentation analysis, shows that bird songs are organized according to a repetition-transformation principle. One purpose of the book was to, "begin to speak of animal musics other than with the quotation marks", and he is credited by Dario Martinelli with the creation of zoomusicology.〔(【引用サイトリンク】title=A Short Introduction to Zoomusicology )〕
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